Country life; London (England) -- Description and travel; Natural history -- Outdoor books
Ought not winter, in allegorical designs, the rather to be represented
with such things that might suggest hope than such as convey a cold and
grim despair? The withered leaf, the snowflake, the hedging bill that
cuts and destroys, why these? Why not rather the dear larks for one?
They fly in flocks, and amid the white expanse of snow (in the south)
their pleasant twitter or call is heard as they sweep along seeking
some grassy spot cleared by the wind. The lark, the bird of the light,
is there in the bitter short days. Put the lark then for winter, a sign
of hope, a certainty of summer. Put, too, the sheathed bud, for if you
search the hedge you will find the buds there, on tree and bush,
carefully wrapped around with the case which protects them as a cloak.
Put, too, the sharp needles of the green corn; let the wind clear it of
snow a little way, and show that under cold clod and colder snow the
green thing pushes up, knowing that summer must come. Nothing despairs
but man. Set the sharp curve of the white new moon in the sky: she is
white in true frost, and yellow a little if it is devising change. Set
the new moon as something that symbols an increase. Set the shepherd's
crook in a corner as a token that the flocks are already enlarged in
number. The shepherd is the symbolic man of the hardest winter time.
His work is never more important than then. Those that only roam the
fields when they are pleasant in May, see the lambs at play in the
meadow, and naturally think of lambs and May flowers. But the lamb was
born in the adversity of snow. Or you might set the morning star, for
it burns and burns and glitters in the winter dawn, and throws forth
beams like those of metal consumed in oxygen. There is nought that I
know by comparison with which I might indicate the glory of the morning
star, while yet the dark night hides in the hollows. The lamb is born
in the fold. The morning star glitters in the sky. The bud is alive in
its sheath; the green corn under the snow; the lark twitters as he
passes. Now these to me are the allegory of winter.
Public-domain text, read in full here on John Shaqi.
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