Country life; London (England) -- Description and travel; Natural history -- Outdoor books
If any one had been at hand to sketch it, the scene would have been
very grotesque, and not without a ludicrous sadness. There was the tall
elm tinted with yellow, the black rooks high above flying in and out,
yellow leaves twirling down, the blue peacocks with their crests, the
red barn behind, the golden sun afar shining low through the trees of
the park, the brown autumn sward, a grey horse, orange maple bushes.
There was the quiet tone of the coming evening--the early evening of
October--such an evening as the rook had seen many a time from the tops
of the trees. A man dies, and the crowd goes on passing under the
window along the street without a thought. The rook died, and his
friends, who had that day been with him in the oaks feasting on acorns,
who had been with him in the fresh-turned furrows, born perhaps in the
same nest, utterly forgot him before he was dead. With a great common
caw--a common shout--they suddenly left the tree in a bevy and flew
towards the park. The peacocks having brought in their verdict,
departed, and the dead bird was left alone.
In falling out of the elm, the rook had alighted partly on his side and
partly on his back, so that he could only flutter one wing, the other
being held down by his own weight. He had probably died from picking up
poisoned grain somewhere, or from a parasite. The weather had been
open, and he could not have been starved. At a distance, the rook's
plumage appears black; but close at hand it will be found a fine
blue-black, glossy, and handsome.
These peacocks are the best "rain-makers" in the place; whenever they
cry much, it is sure to rain; and if they persist day after day, the
rain is equally continuous. From the wall by the barn, or the
elm-branch above, their cry resounds like the wail of a gigantic cat,
and is audible half a mile or more. In the summer, I found one of them,
a peacock in the fall brilliance of his colours, on a rail in the hedge
under a spreading maple bush. His rich-hued neck, the bright light and
shadow, the tall green meadow grass, brought together the finest
colours. It is curious that a bird so distinctly foreign, plumed for
the Asiatic sun, should fit so well with English meads. His splendid
neck immediately pleases, pleases the first time it is seen, and on the
fiftieth occasion. I see these every day, and always stop to look at
them; the colour excites the sense of beauty in the eye, and the shape
satisfies the idea of form. The undulating curve of the neck is at once
approved by the intuitive judgment of the mind, and it is a pleasure to
the mind to reiterate that judgment frequently. It needs no teaching to
see its beauty--the feeling comes of itself.
Public-domain text, read in full here on John Shaqi.
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