Country life; London (England) -- Description and travel; Natural history -- Outdoor books
This is art indeed--art in the mind and soul, infinitely deeper,
surely, than the construction of crockery, jugs for the mantelpiece,
dados, or even of paintings. The lover of nature has the highest art in
his soul. So, I think, the bluff English farmer who takes such pride
and delight in his dogs and horses, is a much greater man of art than
any Frenchman preparing with cynical dexterity of hand some coloured
presentment of flashy beauty for the _salon_. The English girl who
loves her horse--and English girls _do_ love their horses most
intensely--is infinitely more artistic in that fact than the cleverest
painter on enamel. They who love nature are the real artists; the
"artists" are copyists, St. John the naturalist, when exploring the
recesses of the Highlands, relates how he frequently came in contact
with men living in the rude Highland way--forty years since, no
education then--whom at first you would suppose to be morose,
unobservant, almost stupid. But when they found out that their visitor
would stay for hours gazing in admiration at their glens and mountains,
their demeanour changed. Then the truth appeared: they were fonder than
he was himself of the beauties of their hills and lakes; they could see
the art _there_, though perhaps they had never seen a picture in their
lives, certainly not any blue-and-white crockery. The Frenchman flings
his fingers dexterously over the canvas, but he has never had that in
his heart which the rude Highlander had.
The path across the arable field was covered with a design of bird's
feet. The reversed broad arrow of the fore-claws, and the straight line
of the hinder claw, trailed all over it in curving lines. In the dry
dust, their feet were marked as clearly as a seal on wax--their trails
wound this way and that, and crossed as their quick eyes had led them
to turn to find something. For fifty or sixty yards the path was worked
with an inextricable design; it was a pity to step on it and blot out
the traces of those little feet. Their hearts so happy, their eyes so
observant, the earth so bountiful to them with its supply of food, and
the late warmth of the autumn sun lighting up their life. They know and
feel the different loveliness of the seasons as much as we do. Every
one must have noticed their joyousness in spring; they are quiet, but
so very, very busy in the height of summer; as autumn comes on they
obviously delight in the occasional hours of warmth. The marks of their
little feet are almost sacred--a joyous life has been there--do not
obliterate it. It is so delightful to know that something is happy.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account