The dismal pits in a disused brickfield, unsightly square holes in a waste, are full in the shallow places of an aquatic grass, Reed Canary Grass, I think, which at this time of mists stretches forth sharp-pointed tongues over the stagnant water. These sharp-pointed leaf-tongues are all on one side of the stalks, so that the most advanced project across the surface, as if the water were the canvas, and the leaves drawn on it. For water seems always to rise away from you--to slope slightly upwards; even a pool has that appearance, and therefore anything standing in it is drawn on it as you might sketch on this paper. You see the water beyond and above the top of the plant, and the smooth surface gives the leaf and stalk a sharp, clear definition. But the mass of the tall grass crowds together, every leaf painted yellow by the autumn, a thick cover at the pit-side. This tall grass always awakes my fancy, its shape partly, partly its thickness, perhaps; and yet these feelings are not to be analysed. I like to look at it; I like to stand or move among it on the bank of a brook, to feel it touch and rustle against me. A sense of wildness comes with its touch, and I feel a little as I might feel if there was a vast forest round about. As a few strokes from a loving hand will soothe a weary forehead, so the gentle pressure of the wild grass soothes and strokes away the nervous tension born of civilised life. I could write a whole history of it; the time when the leaves were fresh and green, and the sedge-birds frequented it; the time when the moorhen's young crept after their mother through its recesses; from the singing of the cuckoo by the river, till now brown and yellow leaves strew the water. They strew, too, the dry brown grass of the land, thick tuffets, and lie even among the rushes, blown hither from the distant trees. The wind works its full will over the exposed waste, and drives through the reed-grass, scattering the stalks aside, and scarce giving them time to spring together again, when the following blast a second time divides them. A cruder piece of ground, ruder and more dismal in its unsightly holes, could not be found; and yet, because of the reed-grass, it is made as it were full of thought. I wonder the painters, of whom there are so many nowadays, armies of amateurs, do not sometimes take these scraps of earth and render into them the idea which fills a clod with beauty. In one such dismal pit--not here--I remember there grew a great quantity of bulrushes. Another was surrounded with such masses of swamp-foliage that it reminded those who saw it of the creeks in semi-tropical countries. But somehow they do not seem to see these things, but go on the old mill-round of scenery, exhausted many a year since. They do not see them, perhaps, because most of those who have educated themselves in the technique of painting are city-bred, and can never have the _feeling_ of the country, however fond they may be of it.