Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
These views were perfectly stereopticon, flashing in and away from his
thought with an inconceivable rapidity until after all they were simply
one quick dismal impression. And now here is the unreal real: into this
kid's nostrils, at the expectant moment of slaughter, had come the
scent of new-mown hay, a fragrance from a field of prostrate grass, a
fragrance which contained the sunshine, the bees, the peace of meadows,
and the wonder of a distant crooning stream. It had no right to be
supreme, but it was supreme, and he breathed it as he waited for pain
and a sight of the unknown.
But in the same instant, it may be, his thought flew to the Frisco kid,
and it came upon him like a flicker of lightning that the Frisco kid
was not going to be there to perform, for instance, the extraordinary
office of respectable mourner. The other kid's head was muddled, his
hand was unsteady, his agility was gone. This other kid was facing the
determined and most ferocious gentleman of the enemy. The New York kid
became convinced that his friend was lost. There was going to be a
screaming murder. He was so certain of it that he wanted to shield his
eyes from sight of the leaping arm and the knife. It was sickening,
utterly sickening. The New York kid might have been taking his first
sea-voyage. A combination of honourable manhood and inability prevented
him from running away.
He suddenly knew that it was possible to draw his own revolver, and
by a swift manoeuvre face down all three Mexicans. If he was quick
enough he would probably be victor. If any hitch occurred in the draw
he would undoubtedly be dead with his friends. It was a new game; he
had never been obliged to face a situation of this kind in the Beacon
Club in New York. In this test, the lungs of the kid still continued to
perform their duty.
"Oh, five white mice of chance,
Shirts of wool and corduroy pants,
Gold and wine, women and sin,
All for you if you let me come in--
Into the house of chance."
He thought of the weight and size of his revolver, and dismay
pierced him. He feared that in his hands it would be as unwieldy as
a sewing-machine for this quick work. He imagined, too, that some
singular providence might cause him to lose his grip as he raised his
weapon. Or it might get fatally entangled in the tails of his coat.
Some of the eels of despair lay wet and cold against his back.
But at the supreme moment the revolver came forth as if it were greased
and it arose like a feather. This somnolent machine, after months of
repose, was finally looking at the breasts of men.
Perhaps in this one series of movements, the kid had unconsciously
used nervous force sufficient to raise a bale of hay. Before he
comprehended it he was standing behind his revolver glaring over the
barrel at the Mexicans, menacing first one and then another. His finger
was tremoring on the trigger. The revolver gleamed in the darkness with
a fine silver light.
Public-domain text, read in full here on John Shaqi.
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