Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
The fulsome grandee sprang backward with a low cry. The man who had
been facing the Frisco kid took a quick step away. The beautiful array
of Mexicans was suddenly disorganized.
The cry and the backward steps revealed something of great importance
to the New York kid. He had never dreamed that he did not have a
complete monopoly of all possible trepidations. The cry of the grandee
was that of a man who suddenly sees a poisonous snake. Thus the kid
was able to understand swiftly that they were all human beings. They
were unanimous in not wishing for too bloody combat. There was a sudden
expression of the equality. He had vaguely believed that they were not
going to evince much consideration for his dramatic development as an
active factor. They even might be exasperated into an onslaught by
it. Instead, they had respected his movement with a respect as great
even as an ejaculation of fear and backward steps. Upon the instant he
pounced forward and began to swear, unreeling great English oaths as
thick as ropes, and lashing the faces of the Mexicans with them. He
was bursting with rage, because these men had not previously confided
to him that they were vulnerable. The whole thing had been an absurd
imposition. He had been seduced into respectful alarm by the concave
attitude of the grandee. And after all there had been an equality of
emotion, an equality: he was furious. He wanted to take the serape of
the grandee and swaddle him in it.
The Mexicans slunk back, their eyes burning wistfully. The kid took aim
first at one and then at another. After they had achieved a certain
distance they paused and drew up in a rank. They then resumed some of
their old splendour of manner. A voice hailed him in a tone of cynical
bravado as if it had come from between lips of smiling mockery. "Well,
señor, it is finished?"
The kid scowled into the darkness, his revolver drooping at his side.
After a moment he answered--"I am willing." He found it strange that he
should be able to speak after this silence of years.
"Good-night, señor."
"Good-night."
When he turned to look at the Frisco kid he found him in his original
position, his hand upon his hip. He was blinking in perplexity at the
point from whence the Mexicans had vanished.
"Well," said the sober kid crossly, "are you ready to go home now?"
The Frisco kid said--"Where they gone?" His voice was undisturbed but
inquisitive.
Benson suddenly propelled himself from his dreamful position against
the wall. "Frishco kid's all right. He's drunk's fool and he's all
right. But you New York kid, you're shober." He passed into a state of
profound investigation. "Kid shober 'cause didn't go with us. Didn't
go with us 'cause went to damn circus. Went to damn circus 'cause lose
shakin' dice. Lose shakin' dice 'cause--what make lose shakin' dice,
kid?"
The New York kid eyed the senile youth. "I don't know. The five white
mice, maybe."
Public-domain text, read in full here on John Shaqi.
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