Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
"Si, señor," said José, nodding. He stretched one arm out of his
blanket and pointed a yellow finger into the gloom. "Over there, small
village. Si, señor."
They rode forward again. Once the American's horse shied and breathed
quiveringly at something which he saw or imagined in the darkness,
and the rider drew a steady, patient rein, and leaned over to speak
tenderly as if he were addressing a frightened woman. The sky had faded
to white over the mountains, and the plain was a vast, pointless ocean
of black.
Suddenly some low houses appeared squatting amid the bushes. The
horsemen rode into a hollow until the houses rose against the sombre
sundown sky, and then up a small hillock, causing these habitations to
sink like boats in the sea of shadow.
A beam of red firelight fell across the trail. Richardson sat sleepily
on his horse while his servant quarrelled with somebody--a mere voice
in the gloom--over the price of bed and board. The houses about him
were for the most part like tombs in their whiteness and silence, but
there were scudding black figures that seemed interested in his arrival.
José came at last to the horses' heads, and the American slid stiffly
from his seat. He muttered a greeting, as with his spurred feet he
clicked into the adobe house that confronted him. The brown stolid face
of a woman shone in the light of the fire. He seated himself on the
earthen floor and blinked drowsily at the blaze. He was aware that the
woman was clinking earthenware, and hieing here and everywhere in the
manoeuvres of the housewife. From a dark corner there came the sound
of two or three snores twining together.
The woman handed him a bowl of tortillas. She was a submissive
creature, timid and large-eyed. She gazed at his enormous silver spurs,
his large and impressive revolver, with the interest and admiration
of the highly-privileged cat of the adage. When he ate, she seemed
transfixed off there in the gloom, her white teeth shining.
José entered, staggering under two Mexican saddles, large enough for
building-sites. Richardson decided to smoke a cigarette, and then
changed his mind. It would be much finer to go to sleep. His blanket
hung over his left shoulder, furled into a long pipe of cloth,
according to the Mexican fashion. By doffing his sombrero, unfastening
his spurs and his revolver belt, he made himself ready for the slow,
blissful twist into the blanket. Like a cautious man he lay close to
the wall, and all his property was very near his hand.
The mesquit brush burned long. José threw two gigantic wings of shadow
as he flapped his blanket about him--first across his chest under his
arms, and then around his neck and across his chest again--this time
over his arms, with the end tossed on his right shoulder. A Mexican
thus snugly enveloped can nevertheless free his fighting arm in a
beautifully brisk way, merely shrugging his shoulder as he grabs for
the weapon at his belt. (They always wear their serapes in this manner.)
Public-domain text, read in full here on John Shaqi.
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