In the stillness and the night Richardson sat wondering if some serpent-like Mexican were sliding towards him in the darkness, and if the first thing he knew of it would be the deadly sting of a knife. "Sssh," he whispered, to José. He drew his revolver from under the blanket, and held it on his leg. The blanket over the door fascinated him. It was a vague form, black and unmoving. Through the opening it shielded were to come, probably, threats, death. Sometimes he thought he saw it move. As grim white sheets, the black and silver of coffins, all the panoply of death, affect us, because of that which they hide, so this blanket, dangling before a hole in an adobe wall, was to Richardson a horrible emblem, and a horrible thing in itself. In his present mood he could not have been brought to touch it with his finger. The celebrating Mexicans occasionally howled in song. The guitarist played with speed and enthusiasm. Richardson longed to run. But in this vibrating and threatening gloom his terror convinced him that a move on his part would be a signal for the pounce of death. José, crouching abjectly, mumbled now and again. Slowly, and ponderous as stars, the minutes went. Suddenly Richardson thrilled and started. His breath for a moment left him. In sleep his nerveless fingers had allowed his revolver to fall and clang upon the hard floor. He grabbed it up hastily, and his glance swept apprehensively over the room. A chill blue light of dawn was in the place. Every outline was slowly growing; detail was following detail. The dread blanket did not move. The riotous company had gone or fallen silent. He felt the effect of this cold dawn in his blood. The candour of breaking day brought his nerve. He touched José. "Come," he said. His servant lifted his lined yellow face, and comprehended. Richardson buckled on his spurs and strode up; José obediently lifted the two great saddles. Richardson held two bridles and a blanket on his left arm; in his right hand he had his revolver. They sneaked toward the door. The man who said that spurs jingled was insane. Spurs have a mellow clash--clash--clash. Walking in spurs--notably Mexican spurs--you remind yourself vaguely of a telegraphic linesman. Richardson was inexpressibly shocked when he came to walk. He sounded to himself like a pair of cymbals. He would have known of this if he had reflected; but then, he was escaping, not reflecting. He made a gesture of despair, and from under the two saddles José tried to make one of hopeless horror. Richardson stooped, and with shaking fingers unfastened the spurs. Taking them in his left hand, he picked up his revolver, and they slunk on toward the door. On the threshold he looked back. In a corner he saw, watching him with large eyes, the Indian man and woman who had been his hosts. Throughout the night they had made no sign, and now they neither spoke nor moved. Yet Richardson thought he detected meek satisfaction at his departure.