Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
Finally, without any preliminary indication, he began to weep. If the
men struggling on the plain had had time and greater vision, they could
have seen this strange tiny figure seated on a boulder, surveying them
while the tears streamed. It was as simple as some powerful symbol.
As the magic clear light of day amid the mountains dimmed the
distances, and the plain shone as a pallid blue cloth marked by the red
threads of the firing, the child arose and moved off to the unwelcoming
door of his home. He called softly for his mother, and complained of
his hunger in the familiar formula. The pearl-coloured cow, grinding
her jaws thoughtfully, stared at him with her large eyes. The peaceful
gloom of evening was slowly draping the hills.
The child heard a rattle of loose stones on the hillside, and facing
the sound, saw a moment later a man drag himself up to the crest of the
hill and fall panting. Forgetting his mother and his hunger, filled
with calm interest, the child walked forward and stood over the heaving
form. His eyes too were now large and inscrutably wise and sad like
those of the animal in the house.
After a silence he spoke inquiringly. "Are you a man?"
Peza rolled over quickly and gazed up into the fearless cherubic
countenance. He did not attempt to reply. He breathed as if life was
about to leave his body. He was covered with dust; his face had been
cut in some way, and his cheek was ribboned with blood. All the spick
of his former appearance had vanished in a general dishevelment, in
which he resembled a creature that had been flung to and fro, up and
down, by cliffs and prairies during an earthquake. He rolled his eye
glassily at the child.
They remained thus until the child repeated his words. "Are you a man?"
Peza gasped in the manner of a fish. Palsied, windless, and abject, he
confronted the primitive courage, the sovereign child, the brother of
the mountains, the sky and the sea, and he knew that the definition of
his misery could be written on a grass-blade.
Part II
Midnight Sketches
AN EXPERIMENT IN MISERY
(From the Press, New York.)
Public-domain text, read in full here on John Shaqi.
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