The Open Door, and the Portrait.: Stories of the Seen and the Unseen.Oliphant, Mrs. (Margaret)
Science
The Open Door, and the Portrait.: Stories of the Seen and the Unseen.
Oliphant, Mrs. (Margaret)
Manners and customs -- Fiction
I tried to stir myself up with
recollections of the miserable sights I had seen, the poverty, the
helplessness. I tried to work myself into indignation; but all through
these efforts I felt the contagion growing upon me, my mind falling into
sympathy with all those straining faculties of the body, startled,
excited, driven wild by something, I knew not what. It was not fear. I
was like a ship at sea straining and plunging against wind and tide, but
I was not afraid. I am obliged to use these metaphors, otherwise I could
give no explanation of my condition, seized upon against my will, and
torn from all those moorings of reason to which I clung with desperation,
as long as I had the strength.
When I got up from my chair at last, the battle was lost, so far as my
powers of self-control were concerned. I got up, or rather was dragged
up, from my seat, clutching at these material things round me as with a
last effort to hold my own. But that was no longer possible; I was
overcome. I stood for a moment looking round me feebly, feeling myself
begin to babble with stammering lips, which was the alternative of
shrieking, and which I seemed to choose as a lesser evil. What I said
was, “What am I to do?” and after a while, “What do you want me to do?”
although throughout I saw no one, heard no voice, and had in reality not
power enough in my dizzy and confused brain to know what I myself meant.
I stood thus for a moment, looking blankly round me for guidance,
repeating the question, which seemed after a time to become almost
mechanical, “What do you want me to do?” though I neither knew to whom I
addressed it nor why I said it. Presently--whether in answer, whether in
mere yielding of nature, I cannot tell--I became aware of a difference:
not a lessening of the agitation, but a softening, as if my powers of
resistance being exhausted, a gentler force, a more benignant influence,
had room. I felt myself consent to whatever it was. My heart melted in
the midst of the tumult; I seemed to give myself up, and move as if drawn
by some one whose arm was in mine, as if softly swept along, not
forcibly, but with an utter consent of all my faculties to do I knew not
what, for love of I knew not whom. For love,--that was how it
seemed,--not by force, as when I went before. But my steps took the same
course: I went through the dim passages in an exaltation indescribable,
and opened the door of my father’s room.
He was seated there at his table as usual, the light of the lamp falling
on his white hair; he looked up with some surprise at the sound of the
opening door. “Phil,” he said, and with a look of wondering apprehension
on his face, watched my approach. I went straight up to him and put my
hand on his shoulder. “Phil, what is the matter? What do you want with
me? What is it?” he said.
“Father, I can’t tell you. I come not of myself. There must be something
in it, though I don’t know what it is. This is the second time I have
been brought to you here.”
Public-domain text, read in full here on John Shaqi.
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