The Open Question: A Tale of Two TemperamentsRobins, Elizabeth
General
The Open Question: A Tale of Two Temperaments
Robins, Elizabeth
Fiction
The intensity of the craving for approbation, the love-hunger in the
child's heart, would be called morbid by those who find that epithet a
ready one to apply to heights and depths from which they themselves are
debarred by a niggard nature. It was true (even if, like many another
fact about this young creature, it is not to be approved) that she had
had an affair of the heart in New York--princes apart--when she had
attained the ripe age of seven. It had been a kind of infidelity to the
dark-browed hero of dream, for the gentleman in question was not a
nobleman, not even a Nimrod, and he had red hair. But, nevertheless, he
was a peril to the peace of mind of a diminutive maid, and all
unconsciously to himself "brought her acquainted with" a more thrilling
joy and a more poignant pain than some women can look back upon from the
height of fifty years. Oh, these strange stirrings of the too eager
heart!--the sharp rapture and the sharper pain, the whimsical, bitter
pathos of them read by the light of later "exultations, agonies!" Who
that has had this window opened for him into the virginal chamber of
awakening woman-life can look through it without tears? But this
particular window is not for our eyes. After that premature romance had
come to an untimely end, or, rather, when its hopelessness was comforted
and covered by the quick-growing ivy of new affections, there was peace
for a time in the camp of love, or only border skirmishing. Not, of
course, for any lack of enterprise, or any dearth of heroes, for almost
any passer in the street will serve for a peg to drape the gossamer of a
dream upon. He is perhaps the unrequited lover--he is some one in
disguise; not Mr. Ernest Halliwell, the son of the local doctor, but
heir to an earldom over the sea. You are sorry you can never love him;
he must break his heart in vain. It is almost _too_ sad, for his hair
curls prettily over his ears, and his smile is gentle and haunting. But
high above all these little "foot-notes," as it were, to the great main
text of the romance, ran the radiant "continued story" of that one who
cometh--he with swift, unfaltering feet, he with the sheltering
arms--bearing the great gift in his bosom, and his face, still for a
little space--still hidden.
Public-domain text, read in full here on John Shaqi.
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