The Open Window: Tales of the MonthsWright, Mabel Osgood
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The Open Window: Tales of the Months
Wright, Mabel Osgood
American fiction -- 20th century; Short stories, American
“Do? Be married first and think it out afterwards; one more look,
dearest, and then we will go down,” and, neither desiring to argue, they
gazed in silence.
Presently Jane Mostyn gave an exclamation, and a look almost of awe
crossed her face, and then an expression of deep content rested upon it.
“I have it,” she said. “Just then I saw it as plainly as in a mirage;
after we are married, then let us marry our houses, move them to the
hilltop, and join them in one house on the boundary line; thus shall we
keep not only the letter, but the spirit also, by taking _them_ up out
of the valley with us.”
Again he drew her close, but now there were tears in his eyes, also.
* * * * *
Five hours later, Westover Village was electrified by the sight of Jane
Mostyn and John Hale entering the Rectory arm in arm, soon to be
followed by Mrs. Atwood, who, bearing an enormous bunch of bride’s
roses, drew up to the door in her motor-car and alighted with great
ceremony. Shortly after, word came by way of the back door that the
couple were married, Mrs. Atwood being both witness and bridesmaid; but
as they left by a circuitous route in Mrs. Atwood’s car, while that
worthy woman walked home, the next question, To whose house would they
go? remained unanswered until the following week, when it was found that
they had gone to neither, but were stopping at a quiet place ten miles
farther up the Moosatuck.
The next month brought a still greater shock, when a contractor from
Bridgeton with a gang of men began the labour of moving the two houses
up the hill toward a newly dug cellar on the party line, that the
gossips had decided was intended to support a great farm barn.
* * * * *
Another September and the new home had already become old to the two who
were never tired of looking out and up, and with this double marriage
all the old-time mental influence that Jane had held came back. John
Hale was putting the finishing touches to a novel that competent critics
said would more than make its mark, so unusual was it in conception as
well as full of sweet and mellow strength.
The title alone was not decided, and as John one afternoon was striving
for a simple combination of words that should suggest, and yet not
reveal, the motive, Jane came into the room with an armful of late wild
flowers and stood by his table arranging them in a jar that she always
kept filled there. As she stretched out her arm to add some long,
feathery white sprays by way of background, John caught her wrist,
exclaiming, “See, you have also brought me the title; our book shall be
called ‘Groundsel-Tree’!”
X
THE OPEN WINDOW
=OCTOBER=—THE DEER MOON
Public-domain text, read in full here on John Shaqi.
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