The Open Window: Tales of the MonthsWright, Mabel Osgood
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The Open Window: Tales of the Months
Wright, Mabel Osgood
American fiction -- 20th century; Short stories, American
The Scotts had passed the tests in a manner satisfactory to all,
immediately taking a pew, neither aggressively toward the front, nor yet
economically in the rear, in our equivalent of the Established Church,
of which, it seemed, they were all members. Thus the only questioning
murmurs that had ever arisen about the head of the family came from a
few discontented people who had considered Tom Scott an inexperienced
city man of money, and therefore had tried, but tried in vain, to sell
him either an unsound horse, badly cured hay, or other farm produce of
poor quality, but at a price above the market rates. To these Scott
quickly showed so much horse lore, and such a shrewd and experienced
side to his character in general, that they voiced the opinion between
themselves that he wasn’t, in their judgment, what he seemed to be, and
that if it were known _how_ and _where_ he made his money—“well,
gambling and horse-racing had made many a fortune, and the ’Piscopals
should go slow before they committed themselves to his iniquities and
asked him to pass the plate.”
Few guests from outside ever went to the Queen Anne villa, and though
Mrs. Scott and her daughters joined in the milder social diversions of
the village, it was suddenly announced, the fall after they graduated
from the high school and something in the nature of a party was expected
of them, that mother and daughters were going to the old country to
spend Christmas, but that Tom Scott himself would stay behind and keep
bachelor’s hall. Then again the murmurers said: “Why doesn’t he go with
them? Has he done anything that prevents his going home?”
It was a little after this time that Scott, an inveterate home lover,
and now lonely and hungering for companionship, appeared at the
Pharmacy, his mantle of reserve replaced by an almost garrulous
familiarity. His first act was to buy a box of really fine cigars, which
he passed about freely among his fellows, only frowning at the one
outsider, a drummer, who, pushing his way into the group, prepared to
take a fistful at once. “Slow, young man, go slow,” Scott said
deliberately, measuring the fellow with a single sweep of the eye; “when
you ask a gentleman to drink, he doesn’t fill five glasses before he
empties the first, does he?”
The drummer slunk back with an exclamation half impertinent, half
apologetic, and at that moment the door was flung open, and Martin
Cortright entered, agitation written on every feature of his usually
calm student face; going directly to the proprietor, who was leaning
over the soda-water counter, he called in a voice very unlike his usual
quiet tones:—
Public-domain text, read in full here on John Shaqi.
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