The Open Window: Tales of the MonthsWright, Mabel Osgood
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The Open Window: Tales of the Months
Wright, Mabel Osgood
American fiction -- 20th century; Short stories, American
On that Christmas night, two young women were drilling childish voices
in the singing of the same tune. These women had never met, or either
even dreamed of the other’s existence, yet a current, as actual as the
sound-waves of the music, at that moment began to draw them together,
the player of the violin, Gurth Waldsen, being the unconscious medium.
Waldsen looked from the window at the outlines of the palace across the
water, its ramparts twinkling with lights that looked like reflections
of the brilliant winter stars, but his thoughts did not follow his
sight. In a few days he would be an exile from both home and country,
and though the leaving was wholly voluntary, yet the past and present
struggled together. A visionary in many respects, refusing to understand
social classification as read by his family, he had, in his mother’s
eyes, capped the climax of his folly on his graduation from the
University by refusing a diplomatic career, insisting upon earning his
bread literally by the sweat of his brow, and betrothing himself to a
pretty, modest, blue-eyed girl of a near-by village,—“A girl of the
people,” his mother called her, for though she had been carefully
reared, her father, a poor pastor, had been taken from his peasant
brothers and educated for the ministry because he was both docile and
fragile.
Waldsen’s mother was the controlling power of the family. His father,
long since dead, had been a dreamer, a musician, and something of a
poet, whose wife had married him in a fit of girlish romance, and then
lived to scorn him for his lack of ambition and reproach herself for
marrying beneath her. Her only son should make no such mistake; she
would oversee at least his social education, but she completely
overlooked the matter of heredity.
So little Gurth grew up with only one parent. At ten the boy was tall
and undeveloped, with a shock of strange golden-brown hair that he shook
back as he played the violin, his greatest pleasure; but at twenty-two
he was a slender man with a gold-tipped beard, straight nose, and
blue-gray eyes, that looked at and through what he saw, all his features
being softened by his father’s dreamy temperament.
Mrs. Waldsen, therefore, set her face against the marriage with the
bitterness of her disappointment stung to fury by the memory of her own
past. If she loved her son, it was for her own gratification, not for
his, and now, as her world was beginning to talk of him, his bearing and
gentle accomplishments, should she allow him to be taken from her?
Public-domain text, read in full here on John Shaqi.
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