The Open Window: Tales of the MonthsWright, Mabel Osgood
General
The Open Window: Tales of the Months
Wright, Mabel Osgood
American fiction -- 20th century; Short stories, American
Ezra was also Judge of Probate, thanks to a fragmentary law course taken
in days when a fond mother had pinched and saved that her only boy might
“make his mark.” Thirdly, he was the owner of the best mill on the
Pequotuck. A mill that, in spite of the sale of flour and meal at the
village store, kept its wheel going five days out of seven during nine
months of the year, sawing wood when no one wished flour, and turning
out middlings for the cattle when the stacks grew low. So swift was the
river that ice very seldom silenced the song the old wheel hummed as it
worked.
Lastly, by wise drainage the deacon had turned a dozen acres of
protected meadow-land, heretofore regarded as next to useless, into one
of the thriftiest fruit farms in southern New England.
All these things made Ezra’s daughter Margaret of special importance in
many eyes besides his own, and it was for her sake that he resolved to
have a man to hook up the team for her, when he was busy in the mill or
away in the village, and do a thousand and one little errands that the
sturdier daughters of his neighbours accomplished for themselves.
The Mill House, as it was called, stood on a hill between the Pequotuck
and a little brook that, curving, joined the river below the dam. It was
a placid-looking white house of a style of architecture that might be
called New England Restored. It had been Colonial, but a modern
bay-window, a piazza, and a lean-to in the rear had hybridized it; yet
it still possessed a dignity never seen in the rural interpretations of
the Queen Anne villa.
This particular house had a very attractive outlook. Raised well above
them, it was bounded on the western side by the river and the mill-pond
that always held the sunset reflections until the twilight absorbed
them, while the old red mill with its moss-mottled roof focussed the
view. Toward the north and east the meadows ran slantwise up a hillside,
where, dotted here and there like grazing sheep, you could see the
stones of the burying-ground, where the inhabitants of the glen took
their final rest, as if their friends had left them as near heaven as
possible, and safe from the floods that used once to sweep the valley.
To the south the road ran tolerably straight for three miles down to
Glen Village itself.
The interior of the house differed but slightly from others of its
class, and that difference consisted in the greater genuineness of its
fittings. Evidently the woman who presided over it appreciated relative
values, for the sitting-room had glowing crimson curtains and a fire of
logs in place of the usual “air-tight,” while in one corner, in the
location usually chosen for the inevitable asthmatic parlour organ,
stood an upright piano. On the table was a comfortable litter of books
and papers.
Public-domain text, read in full here on John Shaqi.
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