The Open Window: Tales of the MonthsWright, Mabel Osgood
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The Open Window: Tales of the Months
Wright, Mabel Osgood
American fiction -- 20th century; Short stories, American
Meanwhile Waldsen was sitting on his trunk in the attic room in an
attitude of dejection. Then, as the fire flickered, he saw the change
that had been wrought. Not great in fact, but in the womanly touch, and
he was comforted. Taking from his pocket the little case containing
Andrea’s portrait, he placed it on the chest of drawers, and, after
closing the door, took out his violin.
Margaret and her father were playing their nightly game of backgammon
when she started, dropped her checkers with a rattle, and grasped his
arm. The Deacon looked up in surprise, and then, as he heard a far-away
strain of music that seemed to come from the chimney, said, “Don’t be
scared, daughter, it’s only the young man playing his fiddle!” But
somehow neither father nor daughter cared to continue their game, and a
moment later Margaret opened the door of the sitting-room and one at the
foot of the stairs, and stood there listening, in spite of the cold air
that swept down. Accustomed at most to the trick playing of travelling
concert troupes, who visited the next town, this expressive legato music
was a revelation to Margaret, and stirred her silent nature to untested
depths. The first theme was pleading and wholly unknown to her, but
presently the air changed to the song she had taught the children during
the last Christmas season; through it she heard two voices singing,—the
violin and the man.
“Brightly shone the moon that night
Though the frost was cruel
When a poor man came in sight
Gathering winter fuel.
“Hither page and stand by me
If thou know’st it telling
Yonder peasant, who is he
Where and what his dwelling?”
“Hymn tunes,” said Deacon Tolford, pursing his mouth in a satisfied way.
“I forgot to ask him if he is a church member. Perhaps he might help out
at the Endeavour Concert next month.” But Margaret, shaking her head
impatiently, stood with her finger on her lips.
The Tolford household was more cheerful after Waldsen’s coming. Not that
he intruded upon the Deacon and his daughter, merely talking a few
minutes after meals, perhaps, and then going to his attic, but little by
little the mutual strangeness wore off. Though Waldsen fulfilled to the
letter the work that he had engaged to do, he found that it was
impossible to keep up the illusion of being a mere labourer, and
reconciled himself from the fact that in other farming families the
steady male “help” stands placed on a different footing with the
household, from the transient field hands who come and go with the crops
and seasons. Farmer Elliott’s “help” was his brother-in-law, and Farmer
Bryce’s, his wife’s cousin.
Public-domain text, read in full here on John Shaqi.
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