The Open Window: Tales of the MonthsWright, Mabel Osgood
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The Open Window: Tales of the Months
Wright, Mabel Osgood
American fiction -- 20th century; Short stories, American
Margaret all this time lived in a waking dream; unknown to herself, all
the pent-up forces of her affection had crystallized about this
stranger. His natural courtesy seemed to her a gentle personal tribute;
the mystery he allowed to surround him (being wholly unconscious of the
version of his story the carpenter had told), and his poetic
personality, made him seem like some one she had met in an old romance.
Then the music, too, for often now in the evening he brought his violin
and accompanied her when she sang or played, giving her new
understanding, while he corrected the hardness of her method so
tactfully that she did not realize it. Lending her new music,
substituting the “Songs without Words” for the hackneyed “Airs with
Variations,” and teaching her German and Danish ballads, that lent
themselves to her rich contralto voice.
Margaret became a different creature, and rare glints of red touched her
cheeks. The Deacon accounted for this arousing in the pleasure she
anticipated in going abroad if the Hill Farm was sold. He was so
thoroughly convinced of her indifference to men, that he was blind to
the awakening of her heart.
Margaret noticed with pleasure the various details and changes in
Waldsen’s attic, where she went occasionally to dust, and thought that
they betokened contentment. The room was no longer bare, festoons of
ground pine hung from the rafters and canopied the windows, a half-dozen
home-made cages filled the dormer nearest the stove, and sheltered a
collection of wild birds rescued from cold and hunger, which chirped
from them merrily, while a little screech-owl blinked sleepily from a
perch in the corner. Books lay on the table and filled a rough shelf
under the eaves. Writing implements and paper also lay about, and traces
of bold, irregular characters were on the big sheets of blotting-paper.
It was Andrea’s picture, however, that interested Margaret more than
anything. She looked at it day after day, trying to trace a resemblance
to Gurth. One day she kissed the lips, and then, suddenly remembering
that _he_ might also do this, fled precipitately to her room, and,
locking the door, stayed until dark, when she went down to supper with
her face flushed, and a nervous air. So nervous was she that her hand
trembled until she almost dropped the cup that she was passing to her
father. Gurth grasped it, and thus their hands met for the first time.
IV
Public-domain text, read in full here on John Shaqi.
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