The Open Window: Tales of the MonthsWright, Mabel Osgood
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The Open Window: Tales of the Months
Wright, Mabel Osgood
American fiction -- 20th century; Short stories, American
Then Waldsen slept the sleep of deep fatigue, but Margaret,
misunderstanding wholly and wakeful with happiness, threw herself on her
knees by her bed and, falling asleep, stayed in this position until the
sun cast streaks across the room and scattered the mist that betokened
the final breaking up of winter.
The March days flew by rapidly, and it was almost April. The willows
were showing yellow stems, and the river swirled under them with new
fervour. Hepaticas bloomed in the wood edges, while violets crept along
in the sheltered garden border; bluebirds purled about the mill, while
the kingfishers quarrelled over the pond. At every meal Waldsen brought
the account of some new bird or unknown flower, until the Deacon was
almost vexed, and told him in a sternly parental way that he would never
make his salt, but fill his farm with brakes and briers, growing
strawberries for robins and raspberries for catbirds; but Margaret only
smiled, treasuring every leaf he brought, and spent much time out of
doors watching the messengers of spring that she never before had
noticed, feeling that life was good.
Easter came in middle April, and the little church at Glen Village was
to be decorated with flowers. The day before, Gurth went into town with
a load of feed, stopping on his way at the post-office, and found a
letter from Andrea that made him resolve to act at once.
On his way home he bought two pots of blooming lilies, which he placed
on Margaret’s table in the sitting-room, as an Easter gift to the home.
As she thanked him, bending over the flowers, he said, “Miss Margaret, a
while ago I said that you could do something for me. I have come to ask
it now, but before I speak there is much that I must tell you, so that
you may understand.” Margaret, making a gesture of assent, stood
clinging to the curtain for support, still bending over the lilies.
Gurth began slowly and hesitatingly with his father’s unhappy marriage
and his loveless childhood, speaking deliberately, and choosing his
words like a lawyer presenting his case. A puzzled expression gradually
spread over Margaret’s face, but as he told her of his meeting with
Andrea and his love for her, she gave the curtain so sudden a jerk that
it tore from its fastenings, and fell in a heap upon her. Gurth, merely
thinking that she had stood too long, lifted the curtain, gave her a
chair, and continued his narrative, with unconscious egotism. For more
than an hour he talked; the Deacon peeped in and hastily withdrew,
thinking that the young folks were coming to an understanding.
Margaret did not say a word, but so absorbed was Gurth that he did not
notice it. A terrible struggle was rending her, and she could not trust
herself to speak. Not only had her life hinged itself upon an
impossibility, but the mistake that had made such a thing possible had
come from giving credence to the story of the carpenter.
Public-domain text, read in full here on John Shaqi.
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