The Open Window: Tales of the MonthsWright, Mabel Osgood
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The Open Window: Tales of the Months
Wright, Mabel Osgood
American fiction -- 20th century; Short stories, American
“Who is talking a sermon?” I cried. “Come down through that lane where
we tied the horses; it’s full of dogwood and pinxter flowers; we will
fill the chaise and bury ourselves in them; being children, it does not
matter if they fade by noon so that we can gather more,” and then we
wandered down and on, choosing the pleasantest ways, and letting the
horses lead so long as we kept due north, or fancied we did.
* * * * *
“We should cross the Ridge before noon,” said Evan, after we had driven
for many miles without keeping track of time. “I wonder if there is a
short cut: here is a green lane that runs in the right direction, but it
has a gate to it, and may either be a pent road or a private way.”
Strangely enough, the old gray horses turned toward the gate, nosed it,
and whinnied in unison.
“See the wild fruit trees and bushes that hedge it,” I cried; “apples,
cherries, a peach or two, tall blackberries; I wonder if there ever was
a garden in this corner? There are all the signs, the lilac bushes,
stones that might have been a chimney, and there are new horse tracks in
the turf, and colts pasturing yonder in that field. The way is pretty
enough to lead to the land of Forbidden Fruit, and we may find the Tree
of Life we are looking for at the end. Do let us go in; as we are only
children, no one will have the heart to scold us if we should find
ourselves in some one’s yard.” So Evan opened the gate, which was made
of rough-sawn chestnut boards, and followed rather than led the horses
along the way, for the trees closed low above our heads and shut out the
distance.
In a glimpse across the fields we saw the tower and broken outlines of a
little church.
“That’s not Pine Ridge Church!” exclaimed Evan, stopping short. “The
Ridge Church has a pointed steeple, and that is”—“A Christopher Wren
box,” I said, the name by which Evan had once designated that particular
style of architecture with a tower top that looks like a turned-over
table, legs pointing skyward.
“Where are we, Barbara? You were born in this country, not I; this lane
seems to be leading us due west, and I’m getting hungry, a natural
feeling for a child.”
“I do not know,” I confessed; “there is a place back of Banbury
somewhere in this direction called Fool’s Hill because of its
cross-purpose roads, where father once had a patient, but I’ve never
been there. Wherever we are, we can stop for lunch at the first flat
rock that we see.”
Still another sweep of lane and the sound of running water. The horses
pricked up their ears and whinnied again, and their call, evidently of
interrogation, was answered. Suddenly we emerged from the trees into an
open space; a rushing brook crossed the meadow, and was itself crossed
by a railed bridge of logs and wide chestnut planks.
“Why didn’t I think to bring my trout pole,” sighed Evan.
Public-domain text, read in full here on John Shaqi.
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