The Open Window: Tales of the MonthsWright, Mabel Osgood
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The Open Window: Tales of the Months
Wright, Mabel Osgood
American fiction -- 20th century; Short stories, American
But on the morrow, the Man did not go to the wagon shop as he had said;
the day was sultry, and showers threatened, so he wandered down “cross
lots” until he met the trout stream, and quite unconsciously followed it
until he came upon the group of old willows, under whose shade the old
Eileen had vanished.
It was not until he had almost reached the trees that he noticed there
were people there, picnickers, probably, yet something led him to pause
and look again. Surely, it was the Boy lying upon the grass, with eager
upturned face, listening to some one who was evidently reading aloud;
but though figure and book were in sight, foliage concealed the face.
Another step, and he saw that the reader was Eileen.
The Man must have cried out, for instantly the pair started, and the
light fell full upon Eileen’s hair and face, the same as of old, and yet
not the same, while the boy came bounding toward him, calling, “Oh,
Daddy, so you’ve found out at last where the Princess and I come to read
every day!”
“The Princess! How came she here?” said the Man, sick at heart, for he
thought the strange haunting dreams of his illness were coming back.
“She does not live here now.”
“She didn’t,” cried the boy, babbling on eagerly, as he pulled the Man
under the willows, “but they all came back here after you got sick, and
my Princess took me up there to live with her in their house; the doctor
let her, and we’ve been playing a fairy story all the time, and she’s
been, oh, so very good to me, Daddy. She’s made me custard and cookies,
and sang me to sleep when my legs ached from forgetting how to walk; ’n
besides, her father told Peter how to plant the fields, and he’s set
Jeptha figuring on an awful lot of wagons. But I’ve forgotten, I wasn’t
to tell, I wasn’t to tell, because in fairy stories, if you tell, the
lights go out and everything stops. Oh, Princess and Daddy, play you
didn’t hear. Oh, don’t let it all stop!” and the Boy clasped his hands
tightly, while an agony of fear passed over his sensitive face.
But the Man had ceased to hear him. Taking two steps that brought him
face to face with Eileen, he paused and stood looking down at her, and
his expression checked the Boy’s tongue.
“Is this all true?” he almost whispered, and as he spoke he grew white
to the lips and reeled.
“Sit down upon the bank; you have walked too far and you are faint,” she
said, spreading a shawl that lay beside her on the grass. He dropped to
the seat she offered, but never took his eyes from her own, over which
the lids drooped lower and lower.
“Is it true?” he repeated.
“We came back in April,” she answered softly.
“Why?”
“Because I saw in the home papers that you were ill, and—I wanted to be
near.”
“Why, again?” he questioned, almost cruelly, but now he had reached a
point where he could bear no uncertainty, no mere palliation.
Public-domain text, read in full here on John Shaqi.
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