The Opera: A Sketch of the Development of Opera. With full Descriptions of all Works in the Modern Repertory.Streatfeild, R. A. (Richard Alexander)
History
The Opera: A Sketch of the Development of Opera. With full Descriptions of all Works in the Modern Repertory.
Streatfeild, R. A. (Richard Alexander)
Opera
The third act shows a rocky mountain-top in storm and tempest. One by
one the Valkyries appear riding on their horses through the driving
clouds. Last comes Bruennhilde, with the terrified and despairing
Sieglinde. Sieglinde wishes to die, but Bruennhilde entreats her to live
for the sake of her child that is to be, and giving her the splintered
fragments of Siegmund's sword, bids her escape to the forest, where
Fafner watches over his treasure. The voice of the wrathful Wotan is now
heard in the distance. He appears, indignant at Bruennhilde's
disobedience, dismisses the other Valkyries, and tells Bruennhilde what
her punishment is to be. She is to be banished from the sisterhood of
Valkyries, and Valhalla is to know her no more. Thrown into a deep
sleep, she shall lie upon the mountain-top, to be the bride of the first
man who finds and wakens her. Bruennhilde pleads passionately for a
mitigation of the cruel sentence, or at least that a circle of fire
shall be drawn around her resting-place, so that none but a hero of
valour and determination can hope to win her. Moved by her entreaties,
Wotan consents. He kisses her fondly to sleep, and lays her gently upon
a mossy couch, covered with her shield. Then he strikes the earth with
his spear, calling on the fire-god Loge. Tongues of fire spring up
around them, and leaving her encircled with a rampart of flame, he
passes from the mountain-top with the words, 'Let him who fears my
spear-point never dare to pass through the fire.'
Public-domain text, read in full here on John Shaqi.
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