The Opera: A Sketch of the Development of Opera. With full Descriptions of all Works in the Modern Repertory.Streatfeild, R. A. (Richard Alexander)
History
The Opera: A Sketch of the Development of Opera. With full Descriptions of all Works in the Modern Repertory.
Streatfeild, R. A. (Richard Alexander)
Opera
In 'Goetterdaemmerung' we leave the cool forest once more for the haunts
of men, and exchange the sinless purity of youth for envy, malice, and
all uncharitableness. The prologue takes us once more to the summit of
Bruennhilde's rock. There, in the dim grey of early dawn, sit the three
Norns, unravelling from their thread of gold the secrets of the
present, past, and future. As the morning dawns the thread snaps, and
they hurry away. In the broadening light of day Siegfried and Bruennhilde
appear. The Valkyrie has enriched her husband from her store of hidden
wisdom, and now sends him forth in quest of new adventures. She gives
him her shield and Grane, her horse, and he in turn gives her his ring,
as a pledge of his love and constancy. He hastens down the side of the
mountain, and the note of his horn sounds fainter and fainter as he
takes his way across the Rhine.
The first act shows the hall of the castle of the Gibichungs near the
Rhine. Here dwell Gunther and his sister Gutrune, and their half-brother
Hagen, whose father was the Nibelung Alberich. Hagen knows the story of
the ring, and that its present possessor is Siegfried, and he devises a
crafty scheme for getting Siegfried into his power. Gunther is still
unmarried, and, fired by Hagen's tale of the sleeping Valkyrie upon the
rock of fire, yearns to have Bruennhilde for his wife. Hagen therefore
proposes that Gutrune should be given to Siegfried, and that the latter,
who is the only hero capable of passing through the fire, should in
return win Bruennhilde for Gunther. In the nick of time Siegfried
arrives. Hagen brews him a magic potion, by virtue of which he forgets
all his former life, and his previous love for Bruennhilde is swallowed
up in a burning passion for Gutrune. He quickly agrees to Hagen's
proposal, and assuming the form of Gunther by means of the Tarnhelm, he
departs once more for Bruennhilde's rock. Meanwhile Bruennhilde sits at
the entrance to her cave upon the fire-girt cliff, musing upon
Siegfried's ring. Suddenly she hears the old well-known Valkyrie war-cry
echoing down from the clouds. It is her sister Waltraute, who comes to
tell her of the gloom that reigns in Valhalla, and to entreat her to
give up the ring once more to the Rhine-maidens, that the curse may be
removed and that the gods may not perish. Bruennhilde, however, treasures
the symbol of Siegfried's love more than the glory of heaven, and
refuses to give it up. She defies the gods, and Waltraute takes her way
sadly back to Valhalla. Now Siegfried's horn sounds in the distance far
below. Bruennhilde hurries to meet him, and is horrified to see, not her
beloved hero, but a stranger appear upon the edge of the rocky platform.
The disguised Siegfried announces himself as Gunther, and after a
struggle overcomes Bruennhilde's resistance and robs her of the ring.
This reduces her to submission; he bids her enter her chamber and
follows her, first drawing his sword, which is to lie between them, a
Public-domain text, read in full here on John Shaqi.
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