The Opera: A Sketch of the Development of Opera. With full Descriptions of all Works in the Modern Repertory.Streatfeild, R. A. (Richard Alexander)
History
The Opera: A Sketch of the Development of Opera. With full Descriptions of all Works in the Modern Repertory.
Streatfeild, R. A. (Richard Alexander)
Opera
Their words are interrupted by loud cries from without, and several
knights and esquires rush in, dragging with them Parsifal, who has slain
one of the sacred swans with his bow and arrow. Gurnemanz protects
Parsifal from their violence, and seeing that the youth, who has lived
all his life in the woods, is as innocent as a child, leads him up to
the castle of the Grail, in the hope that he may turn out to be the
sinless fool of the prophecy. In the vast hall of the Grail the knights
assemble, and fulfil the mystic rites of the love-feast. Amfortas, the
one sinner in that chaste community, pleads to be allowed to forgo his
task of uncovering the Grail, the source to him of heartburning remorse
and anguish; but Titurel, speaking from the tomb where he lies between
life and death, sustained only by the miraculous power of the Grail,
urges his son to the duty. Amfortas uncovers the Grail, which is
illumined with unearthly light, and the solemn ceremony closes in peace
and brotherly love. Parsifal, who has watched the whole scene from the
side, feels a strange pang of sympathy at Amfortas's passionate cry, but
as yet he does not understand what it means. He is not yet 'wise
through pity,' and Gurnemanz, disappointed, turns him from the temple
door.
In the second act we are in Klingsor's magic castle. The sorcerer,
knowing of the approach of Parsifal, summons Kundry to her task, and
with many sighs she has to submit to her master. Parsifal vanquishes the
knights who guard the castle, and enters the enchanted garden, a
wilderness of tropical flowers, vast in size and garish in colour. There
he is saluted by troops of lovely maidens, who play around him until
dismissed by a voice sounding from a network of flowers hard by.
Parsifal turns and sees Kundry, now a woman of exquisite loveliness,
advancing towards him. She tells him of his dead mother, and drawing him
towards her, presses upon his lips the first kiss of love. The touch of
defilement wakens him to a sense of human frailty. The wounded
Amfortas's cry becomes plain to him. He starts to his feet, throbbing
with compassion for a world of sin. No thought of sensual pleasure moves
him. He puts Kundry from him, and her endearments move him but to pity
and horror. Kundry in her discomfiture cries to Klingsor. He appears on
the castle steps, brandishing the sacred spear. He hurls it at Parsifal,
but it stops in the air over the boy's head. He seizes it and with it
makes the sacred sign of the Cross. With a crash the enchanted garden
and castle fall into ruin. The ground is strewn with withered flowers,
among which Kundry lies prostrate, and all that a moment before was
bright with exotic beauty now lies a bare and desert waste.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account