London (England) -- History -- 18th century -- Fiction
'I told my Lord, Will,' she said, 'what I am going to tell you
because I would not have him ignorant of anything, or find out
anything--afterwards--but there was no afterwards--which he might think
I should have told him before. He has a pretty gift of drawing: he
makes pictures of things and people with a pencil and a box of
water-colours. I made him take certain sketches for me. He did so,
wondering what they might mean.' Here she rose, opened a drawer in a
cabinet and took out a little packet tied up with a ribbon. 'First I
begged him to sketch me one of the little girls who run about the
streets in Soho. There are hundreds of them: they are bare-footed:
bare-headed: dressed in a sack, in a flannel petticoat: in anything:
they have no schooling: they are not taught anything at all: their
parents and their brothers and sisters and their cousins and their
grandparents are all thieves and rogues together: what can they become?
What hope is there for them? See,' she took one of the pictures out and
gave it to me. By the firelight I made out a little girl standing in the
street. In her carriage there was something of the freedom of a gipsy in
the woods: her hair blew loose in the wind, her scanty petticoat clung
to her little figure: she was bare-legged, bare-footed, bare-headed.
'Can you see it, Will? Well--when I had got all the pictures together, I
asked the artist to sit down, as I have asked you to-day. And when he
was sat down, I had the bundle of pictures in my hand, and I said to
him, "My Lord, this is a very pretty sketch--I like it all the better
because it shows what I was like at that age." "You, Jenny?" "Yes, my
Lord, I myself. That little girl is myself." "Well!" he cried out on the
impossibility of the thing. But I assured him of the truth of what I
said. Then I took up the next picture. It represented the entrance of a
court in Soho. Round this entrance were gathered a collection of men and
women with the most evil faces possible. "These, my Lord," I said, "are
the people who were once my companions when they and I were young
together." "But not now?" he asked. "Not now," I told him, "save that
they all remember me and consider me as one of themselves and come to
the Theatre in order to applaud me: the highwaymen going to the pit; the
petty thieves and pickpockets and footpads to the gallery." Well, at
first he looked serious. Then he cleared up and kissed my hand: he loved
me for myself, he said, and as regards the highwaymen and such fellows,
he would very soon take me out of their way.'
'But, Jenny----'
'Will, I am telling you what I told his Lordship. Believe me, it does
not cost me to tell you half as much as it did to tell that noble
heart. For he loved me, Will, and I loved him.' Again her eyes glistened
by the red light of the fire.
Public-domain text, read in full here on John Shaqi.
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