London (England) -- History -- 18th century -- Fiction
'Good-evening all,' she cried with a loud coarse laugh; she added, as a
finishing stroke of art, a certain click or choking in the middle of the
laugh such as one may hear among the lowest sort of women as they walk
along the street. 'How are you, mother? You did not expect me to come in
to-night, did you? How's business? How are you, Doll? Adding up the
figures on the slate as usual? How are you, boys? I haven't seen any of
you at the Theatre for a spell. That's because I've been resting.
Actresses must rest sometimes. Where have I been? That's my business.
Who with? That's my business, too. Now'--she brandished her basket, and
walked about among them shaking her petticoats in the way of the
impudent orange girls--'choose a fine Chaney orange! Choose a fine
Chaney orange! One for your sweetheart, my curly boy? Here is a fine
one: pay me when I come again. Doll, chalk up to the gentleman an orange
for his girl. One for this pretty country girl? Take it, my beauty. I
will tell your fortune presently--a lover and a pile of gold and babies
as sweet as this orange.' So she got rid of her oranges, offering and
presenting them here and there with the impudence of the craft she
assumed, yet with something of her own inimitable grace which she could
not quite put off. Then she turned to me. 'Sit down here,' she ordered.
'Lads,' she said, 'I've brought you a friend of mine. He's a fiddler by
trade. If you like he will fiddle for you till he puts fire into your
toes and springs into your heels.'
'Who is he?' cried a voice. Through the smoke I now recognised the
Bishop, formerly of the King's Bench Prison. The reverend gentleman's
face was redder and his cheek fuller than when last I saw him. He
seemed, however, in better case: he had gotten a new cassock: his bands
and his cuffs were of whiter hue: his wig was better shaped and better
dressed: it came, I make no doubt, from some place where are deposited
the wigs snatched from the passengers in hackney coaches or even in the
streets. His looks, however, were certainly more prosperous than when I
had seen him last. He did not recognise me, which was as well. Beside
him sat the Captain, also more prosperous to all appearance. He wore a
purple coat and a fawn-coloured waistcoat: he had rings on his fingers,
and his hat was laced with gold: he wore gold buckles: buttons silver
gilt and white silk stockings. He looked what he was--a ruffian, a
robber, and a swashbuckler. He had a girl on his knee, and one arm round
her waist: she was a handsome, red-faced wench dressed up in all kinds
of finery, somewhat decayed and second hand. A pipe was between the
gallant Captain's lips and a glass of punch was in his right hand. 'Twas
a picture of Rogues' Paradise: warmth, light, fire, clothes, drink,
tobacco, good company, and a fine girl. What more can a man want?
'Who's your man?' repeated the Bishop. 'We are not going to have
strangers here spying on us for what we do. Who is he?'
Public-domain text, read in full here on John Shaqi.
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