London (England) -- History -- 18th century -- Fiction
In a little while they were all happy: happier, I am sure, than they had
been for a long time. While they drank and while they talked, I observed
among them a veritable brotherhood. The most successful rogue--he in
gold lace--was hail fellow with the most ragged. And although the
successful rogue stood the nearest to the gallows, and he knew it and
the other rogue knew it, yet the beginner envied the success of his
brother as a soldier envies the successful general. They drank and
laughed: they drank more and they laughed more. Then the Captain called
silence for a song.
'Now, you fiddler!' he cried with a curse. 'Sit up, man, and show us how
you can play.'
The tune, the Captain told me, was 'The Warbling of the Lark.' I struck
up that air which every frequenter of Vauxhall, or even the Dog and
Duck, knows very well, and the Captain began his song.
Now in such a company I expected a song in praise of Roguery and
Robbery; or at least something of the kind introduced in Gay's Opera. On
the contrary, the song which the Captain gave us was a sentimental
ditty which you may hear at any Pleasure Garden on a summer evening: it
was all about the flames of love which could only be extinguished by
Chloe: and a broken heart: and darts and groves, and, in fact, a song
such as would be sung in a concert before a party of ladies. The fellow
had a good voice, and rolled out his lovesick strains to the admiration
of the women, some of whom even shed tears. This is the kind of song
they like: not the song in praise of a Highwayman's life, because in
matters of imagination these women are but poorly provided, and they
always see the reality beyond the words, and if they love the man his
certain end makes them unhappy. But hearts, and flames and love! That,
if you please, which is unreal, seems real.
When he finished, Jenny sprang to her feet. I will dance for you, lads.'
She turned to me. 'Play up--the Hey.'
She ran into the middle of the room, bowed to the people as if she had
been on the stage, and danced with such grace and freedom and simplicity
that it ravished my heart. Her sister, I observed, went on adding up
figures on the slate without paying the least attention to the
performance.
'Ah!' said her mother growing confidential. 'Thus would she dance when
she was quite a little thing on the stones in front of the church, when
the fiddler played in the house. A clever girl, she was, even then, a
clever girl! You are her friend. I hope, Sir, that you are going to
behave handsome by my girl. You look like one of the right sort. Make
over, while there is time. I will keep the swag for you--you may trust
the poor girl's mother. Many a brave fellow she might have had: many a
brave fellow: they come and go----I wish you a long rope young man, if
so be you're kind to my girl. Life is short--what odds, so long as 'tis
merry? Where do you work, if I may ask?'
'Jenny will tell you, perhaps,' I replied.
Public-domain text, read in full here on John Shaqi.
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