London (England) -- History -- 18th century -- Fiction
'The Case of Clarinda, whose future yet remains to be determined, is one
which ought to reduce to humility those who boast of our civilization
and the justice of our institutions. For, certainly, it will be allowed
that the first requisite of justice is that the officers of the State
shall be sufficiently provided with intelligence, with resources and
with encouragement, to search into all cases of alleged crime, and to
take care by ascertaining especially the private character and previous
history of the witnesses how far they are to be credited. In a word,
and speaking of those cases in which human intelligence can be of avail,
it should be impossible for an innocent man to be convicted of any crime
charged to him. Yet the case of Clarinda shows that such is the
condition of the times, such the weakness of our criminal procedure that
a conspiracy as vile, as villainous, as was ever concocted out of Hell
would have succeeded to the judicial murder of an innocent man, had it
not been for the activity, the courage, the lavish expenditure of a
woman unaided and single-handed. Her efforts have resulted in the escape
of the innocent man and the imprisonment of the conspirators. But at
what a price for herself?
'Clarinda is the daughter of a widow who for a long time has kept a
tavern in that part of the town known as St. Giles's. It is not
pretended that the place is the resort of the Quality. There has been
nothing, however, alleged against the conduct of the house or the
character of the landlady. Some of the frequenters certainly belonged to
the ranks of those who live by their wits. It is not the case, as
alleged in some quarters, that Clarinda was ever the companion or the
friend of these people. When she was still quite young she was placed in
the pit of Drury Lane Theatre as an Orange Girl. Accident drew towards
her the attention of the manager, who found her clever and attractive
with a lovely face and figure, a charming manner, and a beautiful voice.
In a word, the Orange Girl was transferred to the stage, and there
became the delight of the town; the greatest favourite of living
actresses.
'After a time Clarinda, as often happens to actresses, grew weary of the
stage, and longed for a quiet life in the country far from the lights
and music and applause of the Theatre.
'Among the many who sighed for her was a young merchant from the city;
he said he was rich; he swore he loved her; he promised to take her out
of town to a country house where she would have a carriage, a garden,
and all that she could desire.
'Clarinda listened. He was grave in demeanour; he was even austere; but
this proved that he was free from the vices of the men she more
frequently met. Clarinda accepted him, and they were married.
Public-domain text, read in full here on John Shaqi.
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