London (England) -- History -- 18th century -- Fiction
'Ask your violin, Will. Ask your music. Ask the play upon the stage what
women most desire. Oh! Foolish youth! they ask what you have given to
Alice--they ask the happiness of love.'
If the time was long to those who watched and waited, it was worse for
her who suffered. I believe if I remember aright that our poor Jenny
spent five or perhaps six weeks in that noisome cell; her cheek, as I
have said, grew thin and pale from the bad air and the confinement; but
her courage she never lost for a single day. She asked for no
consolations and desired no soothing to alleviate the weariness of her
prison. Of those fine ladies who called before she was tried not one
came now: nor did any of the actresses, her old friends and rivals,
visit her. They came before the trial, just as they visit a notorious
robber, because it is interesting to gape upon a person who stands in
the great danger of a trial for his life, or has done some daring act of
villainy, or is about to undergo some terrible ordeal. When her trial
was over and it became certain in everybody's mind that, although the
woman had pleaded guilty: although she was condemned: she would not
suffer the capital sentence, the interest of the public in the case
rapidly declined and in a few days ceased wholly: the great ladies ran
after other excitements: they sent letters to the new singer: they sent
rings to their favourite actor: they crowded the prison of the
fashionable highwaymen: the actresses, for their part, reflected that
they would probably have Jenny back among them before long casting them
all in the shade: so they left off calling: the portrait painters went
elsewhere after studies likely to be popular. Truly it was a lamentable
instance of the breath of popular favour fickle and uncertain. 'The Case
of Clarinda' was forgotten as soon as people had made up their minds
that Clarinda was not to be hanged, although she had screened her mother
and pleaded guilty and received sentence of death.
Public-domain text, read in full here on John Shaqi.
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