London (England) -- History -- 18th century -- Fiction
'You know nothing. That is because you have been in the King's Bench. I
will now tell you, what nobody else knows, that Madame Vallance is Jenny
Wilmot. I have left the stage, for a time, to avoid a certain person.
Here, if I go among the company, I can wear a domino and remain unknown.
Do you know nothing about us? We have masquerades, galas,
routs--everything. Come with me. I will show you my Ball Room.'
She led me up the grand staircase from the Hall into a most noble room.
On the walls were hung many mirrors: between the mirrors were painted
Cupids and flowers: rout seats were placed all round the room: the
hanging candelabra contained hundreds of candles: at one end stood a
music gallery.
'Will,' she said, 'go upstairs and play me something.'
I obeyed.
I found an instrument, which I tuned. Then I stood up in the gallery and
played.
She stood below listening. 'Well played!' she cried. 'Now play me a
dance tune. See if you can make me dance.'
I played a tune which I had often played to the jolly sailors. I know
not what it is called. It is one of those tunes which run in at the ears
and down to the heels which it makes as light as a feather and as quick
silver for nimbleness. In a minute she was dancing--with such grace,
such spirit, such quickness of motion, as if every limb was without
weight. And her fair face smiling and her blue eyes dancing!--never was
there such a figure of grace: as for the step, it was as if invented on
the spot, but I believe that she had learned it. Afraid of tiring her, I
laid down the violin and descended into the hall.
She gave me both her hands. 'Will,' she said. 'You will make my fortune
if you consent to join my orchestra. There never was such playing. Those
sailors! How could they let you go? Now listen. I can pay you thirty
shillings. Will you come? The Treasury pays every Saturday morning. You
shall have, besides, four weeks in advance. Spend it in generous food
after your long Lent. Say--Will you accept?'
'It is too much, Jenny.' I took her hand and kissed it. 'First you take
me out of prison: then you give me the means of living. How can I thank
you sufficiently? How repay----'
'There is nothing to repay. I will tell you another time why I take an
interest in you.'
'When the most beautiful woman in the world----'
'Stop, Will. I warn you. There must be no love-making.' I suppose she
saw the irresistible admiration in my eyes. 'Oh! I am not angry. But
compliments of that kind generally lead to love-making. They all try it,
but it is quite useless--now,' she added with a sigh. 'And you, of all
men, must not.'
I made no reply, not knowing what to say.
'There is another face in your home, Will, that is far more beautiful
than mine. Think of that face. Enough said.'
'I protest----' I began.
She laid her hand upon my lips. 'There must be no compliments,' she
said. Her voice was severe but her smiling eyes forgave.
I left her and hastened home with dancing feet.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account