London (England) -- History -- 18th century -- Fiction
space; danced: then ran to another place and danced again. I learned,
afterwards, that the dancers and tumblers, with many of the masks, were
actors, actresses, and dancing-girls, hired from the Theatre by Madame
herself, in order to ensure vivacity and activity and movement in the
evening. If these things were neglected or left to the masquers
themselves, the assembly would fall quite flat, very few persons having
the least power to play any part or keep up any character. Punchinello,
for instance, trod the floor with a face like a physician for solemnity:
the clown could not dance or laugh or make other people laugh: and so
with the women: they thought their part was played as soon as they were
dressed.
Meantime, the music played on without stopping. After the minuets, we
proceeded to the country dance. But you must not think that at the
Masquerade we conducted our dancing with the same order and form as an
ordinary assembly. I looked down upon a scene which was quite unlike the
ordinary assembly, and yet was the most beautiful, the most animated,
the most entrancing that I had ever witnessed. The room was like a
flower-bed in July filled with flowers of every colour. It was enough,
at first, to look at the whole company, as one might look upon a garden
filled with flowers. Presently I began to detach couples or small
groups. First, I observed the fair domino who lured on the amorous
youth--dressed, perhaps, as a monk--by running away and yet looking
back--a Parthian Amazon of Love. She must be young, he thought, with
such a sprightly air and so easy a step: she must be beautiful, with
such a figure, to match her face: she must be rich, with such a
habit--with those gold chains and bracelets and pearls. Presently the
young fellow caught his goddess: he spoke to her and he led her to a
seat among the plants where they could sit a little retired and apart.
But from the gallery I could see them. He took her hand: he pressed her,
saying I know not what: presently she took off her domino: and disclosed
loveliness: the youth fell into raptures: she held him off: she put on
her domino again: she rose: he begged for a little more discourse--it
was a pretty pantomime--she refused: she went back to the general
company: they remained together all the night: when they went away in
the morning he led her out whispering, and one hopes that this was the
beginning of a happy match. The removal of the domino to let the
gentleman see the masked face was, I observed, very common, yet it was
not always that the little comedy ended, as they say, happily. Sometimes
the lady, after showing her face, would run away and exchange a
kerchief, or a mantle, with a friend so as to mystify and bewilder her
pursuer who could not tell what had become of his lovely partner.
Public-domain text, read in full here on John Shaqi.
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