London (England) -- History -- 18th century -- Fiction
'I knew you would be. Well, Will, I wanted to have a long talk with you.
I have a great deal to say. First, I shall give you some tea--believe
me, it is far better for clearing the head after a night such as last
night, than Madeira. I have a great deal to tell you--I fear you will
despise me--but I will hide nothing. I am resolved to hide nothing from
you.'
Meantime the words kept ringing in my ears. 'Matthew a gambler! The
religious Matthew! To whom music was a snare of the Devil and the
musician a servant of the Devil! The steady Matthew! The irreproachable
Matthew!'
Yet, since I had always known him to be a violator of truth; a slanderer
and a backbiter, why not, also, a gambler? Why not also a murderer--a
forger--anything? I was to find out before long that he was quite ready
to become the former of these also, upon temptation. Yet the thing was
wonderful, even after I had actually seen it and proved it. And again,
Matthew married! Not to a sober and godly citizen's daughter, but to an
actress of Drury Lane Theatre! Matthew, to whom the theatre was as the
mouth of the Bottomless Pit! Who could believe such a thing?
As for what follows, Jenny did not tell me the whole in this one
afternoon. I have put together, as if it was all one conversation, what
took several days or perhaps several weeks.
'You think it so wonderful, Will,' Jenny said, reading my thoughts in my
face. 'For my own part it is never wonderful that a man should gamble,
or drink, or throw himself away upon an unworthy mistress. Every man may
go mad: it is part of man's nature: women, never, save for love and
jealousy and the like. Men are so made: madness seizes them: down they
go to ruin and the grave. It is strong drink with some: and avarice with
some: and gaming with some. Your cousin Matthew is as mad as an Abram
man.'
She was silent for a while. Then she went on again. I have written it
down much as if all that follows was a single speech. It was broken up
by my interruptions and by her pauses and movements. For she was too
quick and restless to sit down while she was speaking. She would spring
from her chair and walk about the room; she would stand at the window,
and drum at the panes of glass: she would stand over the fireplace; she
would look in the round mirror hanging on the wall. She had a thousand
restless ways. Sometimes she stood behind me and laid a hand on my
shoulder as if she was ashamed for me to look upon her.
It was a wonderful tale she told me: more wonderful that a woman who had
gone through that companionship should come out of it, filled through
and through, like a sponge, with the knowledge of wickedness and found
in childhood with those who practise wickedness, yet should be herself
so free from all apparent stain or taint of it. Surely, unless the face,
the eyes, the voice, the language, the thoughts, can all lie together,
this woman was one of the purest and most innocent of Heaven's
creatures.
Public-domain text, read in full here on John Shaqi.
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