The orchestra and its instrumentsSingleton, Esther
History
The orchestra and its instruments
Singleton, Esther
Instrumentation and orchestration -- History; Musical instruments; Orchestra
Yes; Beethoven had a dark nature; or, at least, dark clouds frequently
floated across his mind. He had everything to make him morose. His life
was exceptionally unhappy: he had an unfortunate love-affair; the nephew
in whom he placed all his hopes disappointed him; and, finally, he became
totally deaf.
“His whole life is like a stormy day. At the beginning—a fresh, clear
morning, perhaps a languid breeze, scarcely a breath of air. But there
is always in the still air a secret menace, a dark foreboding. Large
shadows loom and pass; tragic rumblings; murmuring awesome silences—the
furious gusts of the winds of the _Eroica_ and the _C-minor_.”[61]
Ludwig van Beethoven was of Flemish-Dutch origin as the “van” shows. He
was, however, born in Bonn in 1770, his birthplace a bare attic. His
father was a lazy tenor and his mother a servant. His childhood was most
unhappy. Beethoven was marked for sorrow from his earliest years.
He was compelled to practise the violin and harpsichord by his
good-for-nothing father, who made him earn his own living, and he soon
lost his mother, whom he adored.
In 1787 he visited Vienna and had some lessons from Mozart. In 1788, when
but seventeen, Beethoven was playing in the Orchestra of the Elector of
Cologne at Bonn.
We get a good idea of what a fine German Orchestra was in 1791 from
Charles Louis Junker, who described it in that year, and Beethoven, too,
who was then twenty:
“The Elector remained a considerable time at Mergentheim and had some
twenty of his band with him. I heard the most exquisite music and made
the acquaintance of some first-rate artists.
“On the first day I heard the musical performance, which took place
regularly while the Elector dined. There were two oboes, two clarinets,
two flageolets, and two horns. These eight players may fairly be called
masters in their art. Soon after the musical performance during dinner
the play began. It was _King Theodor_, with music by Paisiello.
“The Orchestra was capital, the _piani_, _forti_ and _crescendi_ being
exceedingly well observed. Herr Ries, the expert score-reader and player
at sight, conducted with the violin. He is worthy of being placed beside
Cannabich.[62] His firm, vigorous lead inspires every player with life
and spirit.
Public-domain text, read in full here on John Shaqi.
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