The Ordeal: A Mountain Romance of TennesseeCraddock, Charles Egbert
General
The Ordeal: A Mountain Romance of Tennessee
Craddock, Charles Egbert
Mountain life -- Fiction; Tennessee -- Fiction
Clenk was equally fortunate in creeping into an empty freight here
unobserved, and when it was uncoupled and the engine swept into the
round-house in the city of Glaston, it was verging again toward sunset,
and he was hundreds of miles from his starting-point.
Some monitions of craft were vaguely astir in his dull old brain. He had
resolved to throw himself on the mercy of the mother, ere he trusted
himself to the clutches of the law. He winced from the mere thought of
those sharp claws of justice, but he promised himself that he would be
swift. He could not say how Holvey and Drann might secure precedence of
him. They had gotten the start, and they might hold it. But if he should
tell the mother where they had left the child, he would surely have a
friend at court. When he was in the street he walked without hesitation
up to the first responsible-looking man he met, and, showing him the
advertisement in the newspaper, boldly asked to be directed to the house
of that lady.
So dull he was, so unaccustomed to blocks and turnings and city squares,
that after an interval of futile explanation the stranger turned out of
his way and walked a short distance with him. All the world had heard of
the tragedy and the mysterious disappearance of the child, and, although
suspecting a fake, even a casual stranger would not disregard a chance of
aid.
It was well that the distance was not great, for even his excitement was
hardly adequate to sustain Clenk's failing physique. When the old
mountaineer paused on the concrete sidewalk to which the spacious grounds
of the suburban residence sloped, he looked about with disfavor. "Can't
see the house fur the trees," he muttered, for the great oaks, accounted
so magnificent an appurtenance in Glaston, were to him the commonest
incident of entourage, and a bare door-yard, peeled of grass, a far more
significant token of sophistication. As he approached, however, the
stately mansion presently appeared, situated on a considerable eminence,
and with long flights of stone steps from a portico, enriched with
Corinthian columns, and from two successive terraces at some little
distance in front. Here were tall stone vases on either hand, and beside
one of these at the lower terrace two ladies had paused, waiting,
descrying his approach. One was gowned in deep black, sad of aspect,
though serene, and very beautiful. The other wore a dress all of sheer
white embroideries, with knots of brocaded lilac ribbon, festival of
intimation, but her face was thin, wan, worn, tortured out of all
semblance of calm or cheer. He came falteringly toward them, and stood
for a moment uncertain. Then--for the scope of his cultivation did not
include the civility of lifting his hat--he said, "Which of ye two wimin
hev los' a child?" His voice was quavering, even sympathetic, and very
gentle as he looked at them.
Public-domain text, read in full here on John Shaqi.
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