Authors, American -- 19th century -- Biography; Twain, Mark, 1835-1910
It is only as a result of the stoppage of his creative life that we can
explain also the endless distractions to which his literary career was
subject. "I came here," he writes from London as early as 1872, "to take
notes for a book, but I haven't done much but attend dinners and make
speeches." That innocent _réclame_ of his, that irresistible passion for
the limelight which was forever drawing off the forces that ought to
have been invested in his work, was due largely, no doubt, to his
inordinate desire for approval, for self-corroboration. But if his heart
had been in his work would he have courted so many interruptions? For
court them he did: he invited, he brought upon himself a mode of living
that made work almost impossible. "I don't really get anything done
worth speaking of," he writes in 1881, "except during the three or four
months that we are away in the summer.... I keep three or four books on
the stocks all the time, but I seldom add a satisfactory chapter to one
of them." Was Mrs. Clemens to blame? We are distinctly told that she was
dazed, that she was appalled, at the extravagant manner of living into
which the household had drifted. Mark Twain's vast energy had flowed
into this channel of the opulent householder because it had not been
able to find free expression in his work, and the happier he was in that
rôle the more irksome his work became. "Maybe you think I am not happy?"
he writes. "The very thing that gravels me is that I am. I don't want to
be happy when I can't work. I am resolved that hereafter I won't be."
And at that brilliant apogee of his life, when his daughter noted that
he had just become interested in "mind-cure," he took up his writing
quarters in the billiard-room where, perfect witness that he was to the
truth of Herbert Spencer's old saw about billiard-playing and a misspent
youth, he was ready at all hours to receive his friends and impress them
into the game, where, indeed, he could almost count on the pleasure of
being interrupted. He, whose literary work had become a mere appanage of
his domestic life, whose writing went by fits and starts, and who
certainly took no pains to keep himself in form for it, had such a
passion for billiards that he would play all night and "stay till the
last man gave out from sheer exhaustion."
Public-domain text, read in full here on John Shaqi.
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