Authors, American -- 19th century -- Biography; Twain, Mark, 1835-1910
neighbors, who had taken him into _their_ hearts and homes?--that was
the point now; and they, or the less cultivated majority of them, could
not see England, through the eyes of a Connecticut Yankee, damned
enough! Something, Mark Twain knew, he wanted to satirize--he was
boiling with satirical emotion; and while the artist in him wished to
satirize not England but America, the pioneer in him wished to satirize
not America but England. And as usual the pioneer won.
Another motive corroborated this decision. "He had published," Mr. Paine
tells us, "nothing since the 'Huck Finn' story, and his company was
badly in need of a new book by an author of distinction. Also, it was
highly desirable to earn money for himself." Elsewhere we read that the
"Connecticut Yankee" "was a book badly needed by his publishing business
with which to maintain its prestige and profit." Mark Twain, the author,
we see, had to serve the prestige and profit of Mark Twain, the
publisher; he was obliged, in short, to write something that would be
popular with the American masses. How happy that publisher must have
been for the provocation Matthew Arnold offered him! Mark Twain, on the
top-wave of his own capitalistic undertakings, was simply expressing the
exuberance of his own character not as an artist but as an industrial
pioneer in the person of that East Hartford Yankee who sets out to make
King Arthur's England a "going concern." Who can mistake this animus?--
"Look at the opportunities here for a man of knowledge, brains, pluck
and enterprise to sail in and grow up with the country. The grandest
field that ever was; and all my own, not a competitor." Prying up the
English nation ends, as we see, with a decided general effect of patting
the American nation on the back. The satirist has joined forces with the
great popular flood of his generation; he has become that flood; he asks
neither the why nor the whither of his going; he knows only that he
wants to be in the swim. If, at that moment, the artist in Mark Twain
had had only the tail of one eye awake, he would have laughed at the
spectacle of himself drawing in dollars in proportion to the
magnificence of his noble and patriotic defense of what everybody else,
less nobly perhaps, but no less patriotically, was defending also.
Public-domain text, read in full here on John Shaqi.
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