Authors, American -- 19th century -- Biography; Twain, Mark, 1835-1910
We can understand now that intense will-of-to-believe in the creative
life which Mark Twain revealed in his later writings. "Man originates
nothing, not even a thought.... Shakespeare could not create. He was a
machine, and machines do not create." Is it possible to mistake the
animus in that? Mark Twain was an ardent Baconian: in that faith, he
said, "I find comfort, solace, peace and never-failing joy." I will say
nothing of the complete lack of intuition concerning the psychology of
the artist revealed in his pamphlet, "Is Shakespeare Dead?" It is
astonishing that any writer could have composed this, that any one but a
retired business man or a lawyer infatuated with ratiocination could
have so misapprehended the nature and the processes of the poetic mind.
But Mark Twain does not write like a credulous business man, indulging
his hobby; he does not even write like a lawyer, feverishly checking off
the proofs of that intoxicating evidence: he is defiant, he exults in
the triumph of his own certitude, he stamps on Shakespeare, he insults
him, he delights in pouring vulgar scorn upon that ingenuous bust in
Stratford Church, with its "deep, deep, deep, subtle, subtle, subtle
expression of a bladder." And why? Because the evidence permits him to
believe that Shakespeare was an ignorant yokel. Bacon was the man, Bacon
knew everything, Bacon was a lawyer--see what Macaulay says! Macaulay,
heaven bless us all!--therefore, Bacon wrote the plays. Is this Mark
Twain speaking, the author of the sublime illiteracies of "Huckleberry
Finn," who had been himself most the artist when he was least the
sophisticated citizen? It is, and he is speaking in character. He who
asserted that man is a chameleon and is nothing but what his training
makes him had long lost the intuition of the poet and believed perforce
that without Bacon's training those plays could not have been written.
But would he have stamped with such a savage joy upon that yokel
Shakespeare if the fact, as he imagined, that man creates nothing had
not had for him a tragic, however unconscious, significance? One can
hardly doubt that when one considers that Mark Twain was never able to
follow the Bacon ciphers, when one considers the emotional prepossession
revealed in his own statement that he accepted those ciphers mainly on
faith.
Public-domain text, read in full here on John Shaqi.
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