Authors, American -- 19th century -- Biography; Twain, Mark, 1835-1910
made friends in high places, especially since James Russell Lowell had
pronounced it 'the finest piece of humorous writing yet produced in
America.'" Thus whatever doubts Mark Twain might still have harbored
regarding the vital propriety of his new career were opportunely
overlaid by the very persons he could not fail to respect the most.
It was this last fact, without doubt, that sealed his destiny. James
Russell Lowell and "the brains of London"! There was little criticism in
their careless judgments, but how was Mark Twain to know that? He was a
humorist, they accepted him as a humorist; they had no means of knowing
that he was intended to be something else, that he really wished to be
something else. They found him funny, and he was just as funny as they
found him; but to Mark Twain their praise meant more than that; it meant
something like a solemn sanction of his career from the world of
culture. "Certainly," says Mr. Paine, of one of his first triumphal
visits to London, "certainly he was never one to give himself airs; but
to have the world's great literary center paying court to him, who only
ten years before had been penniless and unknown, and who once had been
a barefoot Tom Sawyer in Hannibal, was quite startling." Innocent
barefoot boy! As if the true forces of criticism ever operated in the
presence of a visiting foreigner! Mark Twain had not seen Englishmen
applaud when Joaquin Miller, at a London dinner-table, thrust half a
dozen cigars into his mouth at once and exclaimed: "That's the way we do
it in the States!" He didn't know how much the tribute was a tribute to
his oddity, his mere picturesqueness; he didn't know that he was being
gulled, and partly because he wasn't--because the beautiful force of
his natural personality would have commanded attention anywhere,
because, also, "the brains of London," the brains of Guildhall banquets,
are not too discriminating when it comes to "laughter and tears" with
slow music, or books like "The Innocents Abroad." But Mark Twain's was
not the mind to note these subtle shades. What he saw was that he was
being heartily slapped on the back, in no too obviously patronizing way,
by the people who really _knew_, whose judgment could really be trusted.
Yet England, as a matter of fact, so far as he was concerned, was simply
countersigning the verdict of America.
Public-domain text, read in full here on John Shaqi.
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