The Ordeal of Richard Feverel: A History of a Father and SonMeredith, George
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The Ordeal of Richard Feverel: A History of a Father and Son
Meredith, George
Domestic fiction; England -- Fiction; Fathers and sons -- Fiction
Perhaps love played his tune so well because their natures had
unblunted edges, and were keen for bliss, confiding in it as natural
food. To gentlemen and ladies he fine-draws upon the viol,
ravishingly; or blows into the mellow bassoon; or rouses the heroic
ardours of the trumpet; or, it may be, commands the whole Orchestra
for them. And they are pleased. He is still the cunning musician.
They languish, and taste ecstasy: but it is, however sonorous, an
earthly concert. For them the spheres move not to two notes. They
have lost, or forfeited and never known, the first supersensual
spring of the ripe senses into passion; when they carry the soul
with them, and have the privileges of spirits to walk disembodied,
boundlessly to feel. Or one has it, and the other is a dead body.
Ambrosia let them eat, and drink the nectar: here sit a couple to
whom Love's simple bread and water is a finer feast.
Pipe, happy sheep-boy, Love! Irradiated angels, unfold your wings
and lift your voices!
They have outflown philosophy. Their instinct has shot beyond the
ken of science. They were made for their Eden.
"And this divine gift was in store for me!"
So runs the internal outcry of each, clasping each: it is their
recurring refrain to the harmonies. How it illumined the years gone
by and suffused the living Future!
"You for me: I for you!"
"We are born for each other!"
They believe that the angels have been busy about them from their
cradles. The celestial hosts have worthily striven to bring them
together. And, O Victory! O wonder! after toil and pain, and
difficulties exceeding, the celestial hosts have succeeded!
"Here we two sit who are written above as one!"
Pipe, happy Love! pipe on to these dear innocents!
The tide of colour has ebbed from the upper sky. In the West the sea
of sunken fire draws back; and the stars leap forth, and tremble,
and retire before the advancing moon, who slips the silver train of
cloud from her shoulders, and, with her foot upon the pine-tops,
surveys heaven.
"Lucy, did you never dream of meeting me?"
"O Richard! yes; for I remembered you."
"Lucy! and did you pray that we might meet?"
"I did!"
Young as when she looked upon the lovers in Paradise, the fair
Immortal journeys onward. Fronting her, it is not night but veiled
day. Full half the sky is flushed. Not darkness, not day, but the
nuptials of the two.
"My own! my own for ever! You are pledged to me? Whisper!"
He hears the delicious music.
"And you are mine?"
A soft beam travels to the fern-covert under the pine-wood where
they sit, and for answer he has her eyes: turned to him an instant,
timidly fluttering over the depths of his, and then downcast; for
through her eyes her soul is naked to him.
"Lucy! my bride! my life!"
The night-jar spins his dark monotony on the branch of the pine. The
soft beam travels round them, and listens to their hearts. Their
lips are locked.
Public-domain text, read in full here on John Shaqi.
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