The Ordeal of Richard Feverel: A History of a Father and SonMeredith, George
General
The Ordeal of Richard Feverel: A History of a Father and Son
Meredith, George
Domestic fiction; England -- Fiction; Fathers and sons -- Fiction
Adrian at once beheld a charming scene in the interior of the study,
not unlike one that Benson had visually witnessed. For, like a wary
prophet, Benson, that he might have warrant for what he foretold of
the future, had a care to spy upon the present: warned haply by THE
PILGRIM'S SCRIP, of which he was a diligent reader, and which says,
rather emphatically: "Could we see Time's full face, we were wise of
him." Now to see Time's full face, it is sometimes necessary to look
through keyholes, the veteran having a trick of smiling peace to you
on one cheek and grimacing confusion on the other behind the
curtain. Decency and a sense of honour restrain most of us from
being thus wise and miserable for ever. Benson's excuse was that he
believed in his master, who was menaced. And moreover, notwithstanding
his previous tribulation, to spy upon Cupid was sweet to him. So he
peeped, and he saw a sight. He saw Time's full face; or, in other
words, he saw the wiles of woman and the weakness of man: which is
our history, as Benson would have written it, and a great many poets
and philosophers have written it.
Yet it was but the plucking of the Autumn primrose that Benson had
seen: a somewhat different operation from the plucking of the Spring
one: very innocent! Our staid elderly sister has paler blood, and
has, or thinks she has, a reason or two about the roots. She is not
all instinct. "For this high cause, and for that I know men, and
know him to be the flower of men, I give myself to him!" She makes
that lofty inward exclamation while the hand is detaching her from
the roots. Even so strong a self-justification she requires. She has
not that blind glory in excess which her younger sister can gild the
longest leap with. And if, moth-like, she desires the star, she is
nervously cautious of candles. Hence her circles about the dangerous
human flame are wide and shy. She must be drawn nearer and nearer by
a fresh _reason_. She loves to sentimentalize. Lady Blandish had
been sentimentalizing for ten years. She would have preferred to
pursue the game. The dark-eyed dame was pleased with her smooth life
and the soft excitement that did not ruffle it. Not willingly did
she let herself be won.
"Sentimentalists," says THE PILGRIM'S SCRIP, "are they who seek to
enjoy without incurring the Immense Debtorship for a thing done."
"It is," the writer says of Sentimentalism elsewhere, "a happy
pastime and an important science to the timid, the idle, and the
heartless; but a damning one to them who have anything to forfeit."
Public-domain text, read in full here on John Shaqi.
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