The Ordeal of Richard Feverel: A History of a Father and SonMeredith, George
General
The Ordeal of Richard Feverel: A History of a Father and Son
Meredith, George
Domestic fiction; England -- Fiction; Fathers and sons -- Fiction
Adrian shrugged. "You're a young man of wonderful powers," he
emphatically observed; meaning to say that Richard quite beat him;
for which opinion Richard gravely thanked him, and with this they
rode into Bellingham.
There was young Tom Blaize at the station, in his Sunday beaver and
gala waistcoat and neck-cloth, coming the lord over Tom Bakewell,
who had preceded his master in charge of the baggage. He likewise
was bound for London. Richard, as he was dismounting, heard Adrian
say to the baronet: "The Beast, sir, appears to be going to fetch
Beauty;" but he paid no heed to the words. Whether young Tom heard
them or not, Adrian's look took the lord out of him, and he shrunk
away into obscurity, where the nearest approach to the fashions
which the tailors of Bellingham could supply to him, sat upon him
more easily, and he was not stiffened by the eyes of the superiors
whom he sought to rival. The baronet, Lady Blandish, and Adrian
remained on horseback, and received Richard's adieux across the
palings. He shook hands with each of them in the same kindly cold
way, eliciting from Adrian a marked encomium on his style of doing
it. The train came up, and Richard stepped after his uncle into one
of the carriages.
Now surely there will come an age when the presentation of science
at war with Fortune and the Fates will be deemed the true epic of
modern life; and the aspect of a scientific humanist who, by dint of
incessant watchfulness, has maintained a System against those active
forces, cannot be reckoned less than sublime, even though at the
moment he but sit upon his horse, on a fine March morning such as
this, and smile wistfully to behold the son of his heart, his System
incarnate, wave a serene adieu to tutelage, neither too eager nor
morbidly unwilling to try his luck alone for a term of two weeks. At
present, I am aware, an audience impatient for blood and glory
scorns the stress I am putting on incidents so minute, a picture so
little imposing. An audience will come to whom it will be given to
see the elementary machinery at work: who, as it were, from some
slight hint of the straws, will feel the winds of March when they do
not blow. To them will nothing be trivial, seeing that they will
have in their eyes the invisible conflict going on around us, whose
features a nod, a smile, a laugh of ours perpetually changes. And
they will perceive, moreover, that in real life all hangs together:
the train is laid in the lifting of an eyebrow, that bursts upon the
field of thousands. They will see the links of things as they pass,
and wonder not, as foolish people now do, that this great matter
came out of that small one.
Public-domain text, read in full here on John Shaqi.
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