The Ordeal of Richard Feverel: A History of a Father and SonMeredith, George
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The Ordeal of Richard Feverel: A History of a Father and Son
Meredith, George
Domestic fiction; England -- Fiction; Fathers and sons -- Fiction
"And when you see your ticket," said Mrs. Berry, "you shan't know
whether it's a prize or a blank. And, Lord knows! some go on
thinking it's a prize when it turns on 'em and tears 'em. I'm one of
the blanks, my dear! I drew a blank in Berry. He was a black Berry
to me, my dear! Smile away! he truly was, and I a-prizin' him as
proud as you can conceive! My dear!" Mrs. Berry pressed her hands
flat on her apron. "We hadn't been a three months man and wife, when
that man--it wasn't the honeymoon, which some can't say--that
man--Yes! he kicked me. His wedded wife he kicked! Ah!" she sighed
to Lucy's large eyes, "I could have borne that. A blow don't touch
the heart," the poor creature tapped her sensitive side. "I went on
loving of him, for I'm a soft one. Tall as a Grenadier he is, and
when out of service grows his moustache. I used to call him my
body-guardsman--like a Queen! I flattered him like the fools we
women are. For, take my word for it, my dear, there's nothing here
below so vain as a man! That I know. But I didn't deserve it.... I'm
a superior cook.... I did not deserve that noways." Mrs. Berry
thumped her knee, and accentuated up her climax: "I mended his
linen. I saw to his adornments--he called his clothes, the bad man!
I was a servant to him, my dear! and there--it was nine months--nine
months from the day he swear to protect and cherish and that--nine
calendar months, and my gentleman is off with another woman! Bone of
his bone!--pish!" exclaimed Mrs. Berry, reckoning her wrongs over
vividly. "Here's my ring. A pretty ornament! What do it mean? I'm
for tearin' it off my finger a dozen times in the day. It's a
symbol? I call it a tomfoolery for the dead-alive to wear it, that's
a widow and not a widow, and haven't got a name for what she is in
any Dixonary. I've looked, my dear, and"--she spread out her
arms--"Johnson haven't got a name for me!"
At this impressive woe Mrs. Berry's voice quavered into sobs. Lucy
spoke gentle words to the poor outcast from Johnson. The sorrows of
Autumn have no warning for April. The little bride, for all her
tender pity, felt happier when she had heard her landlady's moving
tale of the wickedness of man, which cast in bright relief the glory
of that one hero who was hers. Then from a short flight of
inconceivable bliss, she fell, shot by one on her hundred Argus-eyed
fears.
"O Mrs. Berry! I'm so young! Think of me--only just seventeen!"
Mrs. Berry immediately dried her eyes to radiance. "Young, my dear!
Nonsense! There's no so much harm in being young, here and there. I
knew an Irish lady was married at fourteen. Her daughter married
close over fourteen. She was a grandmother by thirty! When any
strange man began, she used to ask him what pattern caps
grandmothers wore. They'd stare! Bless you! the grandmother could
have married over and over again. It was her daughter's fault, not
hers, you know."
"She was three years younger," mused Lucy.
Public-domain text, read in full here on John Shaqi.
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