The Ordeal of Richard Feverel: A History of a Father and SonMeredith, George
General
The Ordeal of Richard Feverel: A History of a Father and Son
Meredith, George
Domestic fiction; England -- Fiction; Fathers and sons -- Fiction
Toward the middle of the second week of Richard's absence, Tom
Bakewell came to Raynham for Cassandra, and privately handed a
letter to the Eighteenth Century, containing a request for money,
and a round sum. The Eighteenth Century was as good as her word, and
gave Tom a letter in return, enclosing a cheque on her bankers,
amply providing to keep the heroic engine in motion at a moderate
pace. Tom went back, and Raynham and Lobourne slept and dreamed not
of the morrow. The System, wedded to Time, slept, and knew not how
he had been outraged--anticipated by seven pregnant seasons. For
Time had heard the hero swear to that legalizing instrument, and had
also registered an oath. Ah me! venerable Hebrew Time! he is
unforgiving. Half the confusion and fever of the world comes of this
vendetta he declares against the hapless innocents who have once
done him a wrong. They cannot escape him. They will never outlive
it. The father of jokes, he is himself no joke; which it seems the
business of men to discover.
The days roll round. He is their servant now. Mrs. Berry has a new
satin gown, a beautiful bonnet, a gold brooch, and sweet gloves,
presented to her by the hero, wherein to stand by his bride at the
altar to-morrow; and, instead of being an old wary hen, she is as
much a chicken as any of the party, such has been the magic of these
articles. Fathers she sees accepting the facts produced for them by
their children; a world content to be carved out as it pleases the
hero.
At last Time brings the bridal eve, and is blest as a benefactor.
The final arrangements are made; the bridegroom does depart; and
Mrs. Berry lights the little bride to her bed. Lucy stops on the
landing where there is an old clock eccentrically correct that
night. 'Tis the palpitating pause before the gates of her
transfiguration. Mrs. Berry sees her put her rosy finger on the ONE
about to strike, and touch all the hours successively till she comes
to the TWELVE that shall sound "Wife" in her ears on the morrow,
moving her lips the while, and looking round archly solemn when she
has done; and that sight so catches at Mrs. Berry's heart that, not
guessing Time to be the poor child's enemy, she endangers her candle
by folding Lucy warmly in her arms, whimpering, "Bless you for a
darling! you innocent lamb! You shall be happy! You shall!"
Old Time gazes grimly ahead.
CHAPTER XXIX
IN WHICH THE LAST ACT OF A COMEDY TAKES THE PLACE OF THE FIRST
Public-domain text, read in full here on John Shaqi.
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