The Ordeal of Richard Feverel: A History of a Father and SonMeredith, George
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The Ordeal of Richard Feverel: A History of a Father and Son
Meredith, George
Domestic fiction; England -- Fiction; Fathers and sons -- Fiction
Many hours, much labour and anxiety of mind, Mrs. Berry had expended
upon this breakfast, and why? There is one who comes to all feasts
that have their basis in Folly, whom criminals of trained instinct
are careful to provide against: who will speak, and whose hateful
voice must somehow be silenced while the feast is going on. This
personage is THE PHILOSOPHER. Mrs. Berry knew him. She knew that he
would come. She provided against him in the manner she thought most
efficacious: that is, by cheating her eyes and intoxicating her
conscience with the due and proper glories incident to weddings
where fathers dilate, mothers collapse, and marriage settlements are
flourished on high by the family lawyer: and had there been no show
of the kind to greet her on her return from the church, she would,
and she foresaw she would, have stared at squalor and emptiness, and
repented her work. The Philosopher would have laid hold of her by
the ear, and called her bad names. Entrenched behind a breakfast-table
so legitimately adorned, Mrs. Berry defied him. In the presence of
that cake he dared not speak above a whisper. And there were wines
to drown him in, should he still think of protesting; fiery wines, and
cool: claret sent purposely by the bridegroom for the delectation of
his friend.
For one good hour, therefore, the labour of many hours kept him
dumb. Ripton was fortifying himself so as to forget him altogether,
and the word as well, till the next morning. Ripton was excited,
overdone with delight. He had already finished one bottle, and
listened, pleasantly flushed, to his emphatic and more abstemious
chief. He had nothing to do but to listen, and to drink. The hero
would not allow him to shout Victory! or hear a word of toasts; and
as, from the quantity of oil poured on it, his eloquence was
becoming a natural force in his bosom, the poor fellow was afflicted
with a sort of elephantiasis of suppressed emotion. At times he
half-rose from his chair, and fell vacuously into it again; or he
chuckled in the face of weighty, severely-worded instructions;
tapped his chest, stretched his arms, yawned, and in short behaved
so singularly that Richard observed it, and said: "On my soul, I
don't think you know a word I'm saying."
"Every word, Ricky!" Ripton spirted through the opening. "I'm going
down to your governor, and tell him: Sir Austin! Here's your only
chance of being a happy father--no, no!--Oh! don't you fear me,
Ricky! I shall talk the old gentleman over."
His chief said:
"Look here. You had better not go down to-night. Go down the first
thing to-morrow, by the six o'clock train. Give him my letter.
Listen to me--give him my letter, and don't speak a word till he
speaks. His eyebrows will go up and down, he won't say much. I know
him. If he asks you about her, don't be a fool, but say what you
think of her sensibly"----
No cork could hold in Ripton when she was alluded to He shouted:
"She's an angel!"
Public-domain text, read in full here on John Shaqi.
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