The Ordeal of Richard Feverel: A History of a Father and SonMeredith, George
General
The Ordeal of Richard Feverel: A History of a Father and Son
Meredith, George
Domestic fiction; England -- Fiction; Fathers and sons -- Fiction
Music was proposed. There are times when soft music hath not charms;
when it is put to as base uses as Imperial Caesar's dust and is taken
to fill horrid pauses. Angelica Forey thumped the piano, and sang:
"_I'm a laughing Gitana, ha--ha! ha--ha!_" Matilda Forey and her
cousin Mary Bransburne wedded their voices, and songfully incited
all young people to _Haste to the bower that love has built_, and
defy the wise ones of the world; but the wise ones of the world were
in a majority there, and very few places of assembly will be found
where they are not; so the glowing appeal of the British
ballad-monger passed into the bosom of the emptiness he addressed.
Clare was asked to entertain the company. The singular child calmly
marched to the instrument, and turned over the appropriate
illustrations to the ballad-monger's repertory.
Clare sang a little Irish air. Her duty done, she marched from the
piano. Mothers are rarely deceived by their daughters in these
matters; but Clare deceived her mother; and Mrs. Doria only
persisted in feeling an agony of pity for her child, that she might
the more warrantably pity herself--a not uncommon form of the
emotion, for there is no juggler like that heart the ballad-monger
puts into our mouths so boldly. Remember that she saw years of
self-denial, years of a ripening scheme, rendered fruitless in a
minute, and by the System which had almost reduced her to the
condition of constitutional hypocrite. She had enough of bitterness
to brood over, and some excuse for self-pity.
Still, even when she was cooler, Mrs. Doria's energetic nature
prevented her from giving up. Straws were straws, and the frailer
they were the harder she clutched them.
She rose from her chair, and left the room, calling to Adrian to
follow her.
"Adrian," she said, turning upon him in the passage, "you mentioned
a house where this horrible cake ... where he was this morning. I
desire you to take me to that woman immediately."
The wise youth had not bargained for personal servitude. He had
hoped he should be in time for the last act of the opera that night,
after enjoying the comedy of real life.
"My dear aunt" ... he was beginning to insinuate.
"Order a cab to be sent for, and get your hat," said Mrs. Doria.
There was nothing for it but to obey. He stamped his assent to the
PILGRIM'S dictum, that Women are practical creatures, and now
reflected on his own account, that relationship to a young fool may
be a vexation and a nuisance. However, Mrs. Doria compensated him.
Public-domain text, read in full here on John Shaqi.
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