The Ordeal of Richard Feverel: A History of a Father and SonMeredith, George
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The Ordeal of Richard Feverel: A History of a Father and Son
Meredith, George
Domestic fiction; England -- Fiction; Fathers and sons -- Fiction
So the puppets were marshalled by Mrs. Doria, happy, or sad, or
indifferent. Quite against his set resolve and the tide of his
feelings, Richard found himself standing behind Clare in the
church--the very edifice that had witnessed his own marriage, and
heard, "I, Clare Doria, take thee John Pemberton," clearly
pronounced. He stood, with black brows dissecting the arts of the
tailor and hairdresser on unconscious John. The back, and much of
the middle, of Mr. Todhunter's head was bald; the back shone like
an egg-shell, but across the middle the artist had drawn two long
dabs of hair from the sides, and plastered them cunningly, so that
all save wilful eyes would have acknowledged the head to be covered.
The man's only pretension was to a respectable juvenility. He had a
good chest, stout limbs, a face inclined to be jolly. Mrs. Doria had
no cause to be put out of countenance at all by the exterior of her
son-in-law: nor was she. Her splendid hair and gratified smile made
a light in the church. Playing puppets must be an immense pleasure
to the practical animal. The Forey bridesmaids, five in number, and
one Miss Doria, their cousin, stood as girls do stand at these
sacrifices, whether happy, sad, or indifferent; a smile on their
lips and tears in attendance. Old Mrs. Todhunter, an exceedingly
small ancient woman, was also there. "I can't have my boy John
married without seeing it done," she said, and throughout the
ceremony she was muttering audible encomiums on her John's manly
behaviour.
The ring was affixed to Clare's finger; there was no ring lost in
this common-sense marriage. The instant the clergyman bade him
employ it, John drew the ring out, and dropped it on the finger of
the cold passive hand in a business-like way, as one who had studied
the matter. Mrs. Doria glanced aside at Richard. Richard observed
Clare spread out her fingers that the operation might be the more
easily effected.
He did duty in the vestry a few minutes, and then said to his aunt:
"Now I'll go."
"You'll come to the breakfast, child? The Foreys"----
He cut her short. "I've stood for the family, and I'll do no more. I
won't pretend to eat and make merry over it."
"Richard!"
"Good-bye."
She had attained her object and she wisely gave way.
"Well. Go and kiss Clare, and shake his hand. Pray, pray be civil."
She turned to Adrian, and said: "He is going. You must go with him,
and find some means of keeping him, or he'll be running off to that
woman. Now, no words--go!"
Richard bade Clare farewell. She put up her mouth to him humbly, but
he kissed her on the forehead.
"Do not cease to love me," she said in a quavering whisper in his
ear.
Mr. Todhunter stood beaming and endangering the art of the
hairdresser with his pocket-handkerchief. Now he positively was
married, he thought he would rather have the daughter than the
mother, which is a reverse of the order of human thankfulness at a
gift of the Gods.
Public-domain text, read in full here on John Shaqi.
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