The Ordeal of Richard Feverel: A History of a Father and SonMeredith, George
General
The Ordeal of Richard Feverel: A History of a Father and Son
Meredith, George
Domestic fiction; England -- Fiction; Fathers and sons -- Fiction
So far certainly the experiment had succeeded. A comelier, braver,
better boy was nowhere to be met. His promise was undeniable. The
vessel, too, though it lay now in harbour and had not yet been
proved by the buffets of the elements on the great ocean, had made a
good trial trip, and got well through stormy weather, as the records
of the Bakewell Comedy witnessed to at Raynham. No augury could be
hopefuller. The Fates must indeed be hard, the Ordeal severe, the
Destiny dark, that could destroy so bright a Spring! But, bright as
it was, the baronet relaxed nothing of his vigilant supervision. He
said to his intimates: "Every act, every fostered inclination,
almost every thought in this Blossoming Season, bears its seed for
the Future. The living Tree now requires incessant watchfulness."
And, acting up to his light, Sir Austin did watch. The youth
submitted to an examination every night before he sought his bed;
professedly to give an account of his studies, but really to
recapitulate his moral experiences of the day. He could do so, for
he was pure. Any wildness in him that his father noted, any
remoteness or richness of fancy in his expressions, was set down as
incidental to the Blossoming Season. There is nothing like a theory
for binding the wise. Sir Austin, despite his rigid watch and ward,
knew less of his son than the servant of his household. And he was
deaf, as well as blind. Adrian thought it his duty to tell him that
the youth was consuming paper. Lady Blandish likewise hinted at his
mooning propensities. Sir Austin from his lofty watch-tower of the
System had foreseen it, he said. But when he came to hear that the
youth was writing poetry, his wounded heart had its reasons for
being much disturbed.
"Surely," said Lady Blandish, "you knew he scribbled?"
"A very different thing from writing poetry," said the baronet. "No
Feverel has ever written poetry."
"I don't think it's a sign of degeneracy," the lady remarked. "He
rhymes very prettily to me."
A London phrenologist, and a friendly Oxford Professor of poetry,
quieted Sir Austin's fears.
The phrenologist said he was totally deficient in the imitative
faculty; and the Professor, that he was equally so in the rhythmic,
and instanced several consoling false quantities in a few effusions
submitted to him. Added to this, Sir Austin told Lady Blandish that
Richard had, at his best, done what no poet had ever been known to
be capable of doing: he had, with his own hands, and in cold blood,
committed his virgin manuscript to the flames: which made Lady
Blandish sigh forth, "Poor boy!"
Public-domain text, read in full here on John Shaqi.
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