The Ordeal of Richard Feverel — CompleteMeredith, George
General
The Ordeal of Richard Feverel — Complete
Meredith, George
Domestic fiction; England -- Fiction; English fiction -- 19th century; Fathers and sons -- Fiction
Adrian shrugged. “You’re a young man of wonderful powers,” he
emphatically observed; meaning to say that Richard quite beat him; for
which opinion Richard gravely thanked him, and with this they rode into
Bellingham.
There was young Tom Blaize at the station, in his Sunday beaver and
gala waistcoat and neckcloth, coming the lord over Tom Bakewell, who
had preceded his master in charge of the baggage. He likewise was bound
for London. Richard, as he was dismounting, heard Adrian say to the
baronet: “The Beast, sir, appears to be going to fetch Beauty;” but he
paid no heed to the words. Whether young Tom heard them or not,
Adrian’s look took the lord out of him, and he shrunk away into
obscurity, where the nearest approach to the fashions which the tailors
of Bellingham could supply to him, sat upon him more easily, and he was
not stiffened by the eyes of the superiors whom he sought to rival. The
baronet, Lady Blandish, and Adrian remained on horseback, and received
Richard’s adieux across the palings. He shook hands with each of them
in the same kindly cold way, elicitating from Adrian a marked encomium
on his style of doing it. The train came up, and Richard stepped after
his uncle into one of the carriages.
Now surely there will come an age when the presentation of science at
war with Fortune and the Fates, will be deemed the true epic of modern
life; and the aspect of a scientific humanist who, by dint of incessant
watchfulness, has maintained a System against those active forties,
cannot be reckoned less than sublime, even though at the moment he but
sit upon his horse, on a fine March morning such as this, and smile
wistfully to behold the son of his heart, his System incarnate, wave a
serene adieu to tutelage, neither too eager nor morbidly unwilling to
try his luck alone for a term of two weeks. At present, I am aware, an
audience impatient for blood and glory scorns the stress I am putting
on incidents so minute, a picture so little imposing. An audience will
come to whom it will be given to see the elementary machinery at work:
who, as it were, from some slight hint of the straws, will feel the
winds of March when they do not blow. To them will nothing be trivial,
seeing that they will have in their eyes the invisible conflict going
on around us, whose features a nod, a smile, a laugh of ours
perpetually changes. And they will perceive, moreover, that in real
life all hangs together: the train is laid in the lifting of an
eyebrow, that bursts upon the field of thousands. They will see the
links of things as they pass, and wonder not, as foolish people now do,
that this great matter came out of that small one.
Public-domain text, read in full here on John Shaqi.
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