The Ordeal of Richard Feverel — CompleteMeredith, George
General
The Ordeal of Richard Feverel — Complete
Meredith, George
Domestic fiction; England -- Fiction; English fiction -- 19th century; Fathers and sons -- Fiction
have all ready for the lady within an hour, Mrs. Berry fortified him
with her card, curtsied him back to his cab, and floated him off on her
smiles.
The remarkable vehicle which had woven this thread of intrigue through
London streets, now proceeded sedately to finish its operations. Ripton
was landed at a hotel in Westminster. Ere he was halfway up the stairs,
a door opened, and his old comrade in adventure rushed down. Richard
allowed no time for salutations. “Have you done it?” was all he asked.
For answer Ripton handed him Mrs. Berry’s card. Richard took it, and
left him standing there. Five minutes elapsed, and then Ripton heard
the gracious rustle of feminine garments above. Richard came a little
in advance, leading and half-supporting a figure in a black-silk mantle
and small black straw bonnet; young—that was certain, though she held
her veil so close he could hardly catch the outlines of her face;
girlishly slender, and sweet and simple in appearance. The hush that
came with her, and her soft manner of moving, stirred the silly youth
to some of those ardours that awaken the Knight of Dames in our bosoms.
He felt that he would have given considerable sums for her to lift her
veil. He could see that she was trembling—perhaps weeping. It was the
master of her fate she clung to. They passed him without speaking. As
she went by, her head passively bent, Ripton had a glimpse of noble
tresses and a lovely neck; great golden curls hung loosely behind,
pouring from under her bonnet. She looked a captive borne to the
sacrifice. What Ripton, after a sight of those curls, would have given
for her just to lift her veil an instant and strike him blind with
beauty, was, fortunately for his exchequer, never demanded of him. And
he had absolutely been composing speeches as he came along in the cab!
gallant speeches for the lady, and sly congratulatory ones for his
friend, to be delivered as occasion should serve, that both might know
him a man of the world, and be at their ease. He forgot the smirking
immoralities he had revelled in. This was clearly serious. Ripton did
not require to be told that his friend was in love, and meant that life
and death business called marriage, parents and guardians consenting or
not.
Presently Richard returned to him, and said hurriedly, “I want you now
to go to my uncle at our hotel. Keep him quiet till I come. Say I had
to see you—say anything. I shall be there by the dinner hour. Rip! I
must talk to you alone after dinner.”
Ripton feebly attempted to reply that he was due at home. He was very
curious to hear the plot of the New Comedy; and besides, there was
Richard’s face questioning him sternly and confidently for signs of
unhesitating obedience. He finished his grimaces by asking the name and
direction of the hotel. Richard pressed his hand. It is much to obtain
even that recognition of our devotion from the hero.
Public-domain text, read in full here on John Shaqi.
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