The Ordeal of Richard Feverel — CompleteMeredith, George
General
The Ordeal of Richard Feverel — Complete
Meredith, George
Domestic fiction; England -- Fiction; English fiction -- 19th century; Fathers and sons -- Fiction
Richard observed that Ripton’s father seemed doubtful. Ripton cited his
father’s habitual caution. Richard made a playful remark on the
necessity of sometimes acting in opposition to fathers. Ripton agreed
to it—in certain cases.
“Yes, yes! in certain cases,” said Richard.
“Pretty legal morality, gentlemen!” Algernon interjected; Hippias
adding: “And lay, too!”
The pair of uncles listened further to the fictitious dialogue, well
kept up on both sides, and in the end desired a statement of the old
lady’s garrulous case; Hippias offering to decide what her chances were
in law, and Algernon to give a common-sense judgment.
“Rip will tell you,” said Richard, deferentially signalling the lawyer.
“I’m a bad hand at these matters. Tell them how it stands, Rip.”
Ripton disguised his excessive uneasiness under endeavours to right his
position on his chair, and, inwardly praying speed to the claret jug to
come and strengthen his wits, began with a careless aspect: “Oh,
nothing! She—very curious old character! She—a—wears a wig. She—a—very
curious old character indeed! She—a—quite the old style. There’s no
doing anything with her!” and Ripton took a long breath to relieve
himself after his elaborate fiction.
“So it appears,” Hippias commented, and Algernon asked: “Well? and
about her wig? Somebody stole it?” while Richard, whose features were
grim with suppressed laughter, bade the narrator continue.
Ripton lunged for the claret jug. He had got an old lady like an
oppressive bundle on his brain, and he was as helpless as she was. In
the pangs of ineffectual authorship his ideas shot at her wig, and then
at her one characteristic of extreme obstinacy, and tore back again at
her wig, but she would not be animated. The obstinate old thing would
remain a bundle. Law studies seemed light in comparison with this
tremendous task of changing an old lady from a doll to a human
creature. He flung off some claret, perspired freely, and, with a
mental tribute to the cleverness of those author fellows, recommenced:
“Oh, nothing! She—Richard knows her better than I do—an old
lady—somewhere down in Suffolk. I think we had better advise her not to
proceed. The expenses of litigation are enormous! She—I think we had
better advise her to stop short, and not make any scandal.”
“And not make any scandal!” Algernon took him up. “Come, come! there’s
something more than a wig, then?”
Ripton was commanded to proceed, whether she did or no. The luckless
fictionist looked straight at his pitiless leader, and blurted out
dubiously, “She—there’s a daughter.”
Public-domain text, read in full here on John Shaqi.
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