The Ordeal of Richard Feverel — CompleteMeredith, George
General
The Ordeal of Richard Feverel — Complete
Meredith, George
Domestic fiction; England -- Fiction; English fiction -- 19th century; Fathers and sons -- Fiction
It did not please Ripton that others should have the bliss of beholding
her, and as, to his perceptions, everybody did, and observed her
offensively, and stared, and turned their heads back, and interchanged
comments on her, and became in a minute madly in love with her, he had
to smother low growls. They strolled about the pleasant gardens of
Kensington all the morning, under the young chestnut buds, and round
the windless waters, talking, and soothing the wild excitement of their
hearts. If Lucy spoke, Ripton pricked up his ears. She, too, made the
remark that everybody seemed to look happy, and he heard it with
thrills of joy. “So everybody is, where you are!” he would have wished
to say, if he dared, but was restrained by fears that his burning
eloquence would commit him. Ripton knew the people he met twice. It
would have been difficult to persuade him they were the creatures of
accident.
From the Gardens, in contempt of Ripton’s frowned protest, Richard
boldly struck into the park, where solitary carriages were beginning to
perform the circuit. Here Ripton had some justification for his jealous
pangs. The young girl’s golden locks of hair; her sweet, now dreamily
sad, face; her gentle graceful figure in the black straight dress she
wore; a sort of half-conventual air she had—a mark of something not of
class, that was partly beauty’s, partly maiden innocence growing
conscious, partly remorse at her weakness and dim fear of the future it
was sowing—did attract the eye-glasses. Ripton had to learn that eyes
are bearable, but eye-glasses an abomination. They fixed a spell upon
his courage; for somehow the youth had always ranked them as emblems of
our nobility, and hearing two exquisite eye-glasses, who had been to
front and rear several times, drawl in gibberish generally imputed to
lords, that his heroine was a charming little creature, just the size,
but had no style,—he was abashed; he did not fly at them and tear them.
He became dejected. Beauty’s dog is affected by the eye-glass in a
manner not unlike the common animal’s terror of the human eye.
Richard appeared to hear nothing, or it was homage that he heard. He
repeated to Lucy Diaper Sandoe’s verses—
“The cockneys nod to each other aside,
The coxcombs lift their glasses,”
and projected hiring a horse for her to ride every day in the park, and
shine among the highest.
Public-domain text, read in full here on John Shaqi.
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